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7:30 p.m. Saturday, March 29

Stevens Center

405 West Fourth St., Downtown Winston-Salem


This concert will feature the music of Pulitzer Prize-winner Robert Ward,

his teachers and his students in a fond remembrance of his dedication

to UNCSA. One of the founders of UNCSA, its second president, and later,

chancellor, Ward died in April 2013. James Allbritten conducts.



Tickets: $15 regular and $13 for students with valid ID  

Box Office: 336-721-1945 or click Box Office at left to purchase tickets online


Robert Ward standing behind small podium (date unknown)

Photographer: unknown


Robert Ward

Robert E. Ward, composer, conductor, administrator, educator, and publishing executive, was born in Cleveland, Ohio, on Sept. 13, 1917.

He studied theory, orchestration, and piano as a youth and began composing in high school where his early musical influences included Debussy, Ravel, Hindemith, Stravinsky, and jazz. Ward studied composition with Bernard Rogers and Howard Hanson at the Eastman School of Music from 1935 through 1939. He then studied composition with Frederick Jacobi and conducting with Albert Stoessel and Edgar Schenkman at The Juilliard School from 1939 through 1941.

Additional studies in composition occurred with Aaron Copland at the Tanglewood Music Festival in 1940 before entering the military as a bandleader in the US Army from 1942 through 1946.

While serving in the Pacific theater of operations, Ward met Mary Benedict, his wife of 62 years with whom he had five children.

After the war he returned to The Juilliard School and received his Artist Certificate in 1946. Ward taught at Juilliard from 1947 to 1956 where he also headed its development office, and at Columbia University from 1946 to 1958.

He received three Guggenheim Fellowships (1950, 1951, 1966), and was director of the Third Street Music Settlement from 1952 to 1955.

He was a composer of music in a wide variety of musical genres. His most enduring and well-known work, The Crucible, (1961) won the Pulitzer Prize for Music and the New York Music Critics’ Circle Citation Award in 1962 and was composed during his tenure as Executive Vice President/Managing Editor of Galaxy Music Corporation, a position he held from 1956 to 1966.

Ward served on numerous boards of directors, and was a member of various organizations such as the American Symphony Orchestra League, the National Opera Institute, the Rockefeller Fund for Music, the American Academy of Arts and Letters, the National Endowment for the Arts, and the Pulitzer Prize for Music.

Ward was president of the then-North Carolina School of the Arts from 1967 to 1974 and was the Mary Duke Biddle Professor of Music at Duke University from 1979 to 1989. His achievements in composition have garnered four honorary doctorates: from the Peabody Conservatory, the University of North Carolina at Greensboro, Duke University, and North Carolina State University.

Ward’s catalog of compositions includes eight operas, seven symphonies, three concertos, numerous shorter works for orchestra, music for wind ensemble, compositions for a variety of instrumental chamber groups, two cantatas, various genres for vocal ensembles, and songs for solo voice with accompaniment, among others. His eclectic compositional methods facilitate musical comprehension and reflect various styles used throughout the history of Western art music and, especially in his vocal works, Ward derived both melodic and rhythmic constructions by adapting the syntactic properties of the texts. In this way he achieved a synthesis or internal union of the various expressive elements, thus creating a singular artistic voice within a unified musical structure. Ward’s music is consciously nationalistic and expresses concerns for social and political issues and his interpretation of American idealism.



Robert Ward (as chancellor, November 1974) conducting NCSA Orchestra

Photographer: William Beck




James Allbritten, Conductor

Originally from Louisville, Ky., James Allbritten began his conducting studies at Indiana University under Jan Harrington, Robert Porco and Thomas Dunn.  While there, he also worked with Glyndborne Festival Opera conductor Bryan Balkwill and MET stage directors Hans Busch and James Lucas. 

As artistic director and principal conductor for Piedmont Opera, he has led performances ranging from Mozart’s Le nozze di Figaro to Puccini’s Turandot to the opera house premiere of Adam Guettel’s The Light in the Piazza.  Of Piedmont Opera’s Un ballo in maschera, Opera News said, “The musical excellence for the entire evening was the work of the conductor, James Allbritten…His tempos were well chosen, attacks were precise, and the coordination and balance with the singers was exemplary.”

Last summer, Allbritten led the premiere of Kenneth Frazelle’s Triple Concerto for the Meadowmount School of Music in New York.  He was also the music director for the Vocal Arts Festival for the Colorado College.  Last December, he returned for a third year to conduct Handel’s Messiah for the Mozart Club.  In addition, he has led performances for Opera Theater of the Rockies, Opera Carolina, the Carolina Chamber Symphony and the Winston Salem Symphony.  Also an accomplished singer, he studied with Nicola Rossi-Lemeni, Giorgio Tozzi and Margaret Harshaw.

Allbritten was recently named general director of Piedmont Opera. He will assume his new duties at the end of this school year.