John A. Sneden, Dean Emeritus (1970)
AB, MA, The University of North Carolina at Chapel Hill. Graduated Phi Beta Kappa, the Order of the Golden Fleece and the Order of the Old Well. Professor of Drama and Design, East Carolina University, Greenville, N.C. Director of Theatre, Davidson College. Designer, Arrow Rock Lyceum, the State Theatre of Missouri. Eight years as resident designer for the East Carolina Summer Music Theatre. Designer, the Cape Playhouse, Dennis, Mass. Board of Directors, North Carolina Scenic Studios Inc. The founding dean of the School of Design & Production, he developed the school into a highly respected and rigorous professional training program, and served as its dean for 32 years.
In 2015, the UNCSA Board of Trustees granted him an Honorary Doctorate degree, in recognition of his life work.
Mark Pirolo, Emeritus Faculty, Design (1972)
BFA (Honors), Carnegie Mellon University. Designer: National Educational Television Biography Series; Pittsburgh Playhouse; Great Lakes Theater Festival; Theatre-by-the-Sea, Portsmouth, N.H.; North Carolina Dance Theatre; North Carolina Shakespeare Festival; PlayMakers Repertory, University of North Carolina at Chapel Hill; Folger Theatre; Colorado Shakespeare Festival; Utah Shakespearean Festival. Recipient: Denver Drama Critics Award, Best Costumes. Helen Hayes Award nomination, Best Costumes. Interim Dean of the School of Design & Production, 2002–2003.
Clyde M. Fowler, Jr., Emeritus Faculty, Visual Arts (1975)
BFA, Virginia Commonwealth University. Studied drawing at the National Academy of Fine Arts and at Art Students League, both in New York. Represented in the 40th annual North Carolina Artists Exhibition, North Carolina Museum of Art, Raleigh. One-person and group exhibitions at the Southeastern Center for Contemporary Art, Sawtooth Center for Visual Design, Wake Forest University, Weatherspoon Gallery at the University of North Carolina at Greensboro, High Point Theatre Gallery.
Diane R. Berg, Emeritus Faculty, Costumes (1986)
BFA, (High Honors) West Virginia University. MFA, University of North Carolina at Greensboro. Company Tailor and Costume Shop Manager at Florida’s Asolo State Theatre. Head of the MFA Costume Technology Program at Purdue University. Commissioner of the USITT Costume Design and Technology Commission. United States delegate to the OISTAT World Costume Congress. USITT Fellow of the Institute.
Martha Dunigan, Emeritus Faculty, Visual Arts (1975)
Martha Dunigan taught sculpture, ceramics, and drawing for 26 years at the North Carolina School of the Arts. She was also a founding member of Artworks Gallery, the Piedmont Triad's oldest artist-run cooperative gallery located in Winston-Salem's downtown art district since 1984. Ms. Dunigan held a Bachelor of Arts from Oberlin College and a Master of Fine Arts from the University of North Carolina at Greensboro. She was the recipient of numerous grants and awards, including being named 1994 Artist of the Year at the Sawtooth Center for Visual Design in North Carolina. She has exhibited in both solo and group shows at galleries and museums in New England and throughout the Southeast. Her work is included in many public and private collections including Wake Forest University, Barclays, Wachovia Bank & Trust, Graylyn Art Center and Mandala Art Center, among others.
In 2001, Artworks Gallery presented the Martha Dunigan Memorial Exhibition, which featured drawings, prints and sculptures from throughout her career before her death in June 2001. Curated by Mackey Bane and Lee Hansley of Lee Hansley Gallery in Raleigh, N.C., the exhibit ran from Sept. 11 through Oct. 13, 2001. In 2002, a more expansive version of the exhibition, Martha Dunigan: A Tribute, traveled to the Southeastern Center for Contemporary Art (SECCA) for a run from May through July, and featured 90 works, including woodcuts, monoprints, drawings and sculptures, produced over the course of 35 years.
In 1999, the sculpture studio where Ms. Dunigan taught for so many years was razed by fire. In July 2001, in recognition of Ms. Dunigan's years of contributions and service to the School and the community, the decision was made to name the new studio in her honor. A bronze plaque of the rising sun, created by Ms. Dunigan's daughter, Breon, also a sculptor, now adorns the west exterior wall of the studio and reads, "Martha Dunigan Sculpture Studio."
Franco Colavecchia, Emeritus Faculty, Design (1996)
Franco Colavecchia studied both stage design and painting at St. Martin’s College of Art, London, and the Slade School of Art, London University. He has taught at Harvard, SUNY-Purchase, Carnegie Mellon, Colgate, and UC San Diego. He has also served as head of scenic design at DePaul University, director of design and production at Opera Company of Philadelphia, and was resident designer and faculty member for 25 years at Juilliard. Mr. Colavecchia has designed more than 100 opera productions for companies including New York City Opera; Lyric Opera, Chicago; Houston Opera; Los Angeles Opera; Music Academy at Lobero; Opera Santa Barbara; Den Norske Opera, Oslo; Monte Carlo Opera House; Wolf Trap, Washington, D.C.; Glimmerglass Opera; Brooklyn Academy of Music; San Antonio Festival; Juilliard; Michigan Opera; and Pacific Opera, Canada.
He has also designed productions on and off-Broadway and in the United Kingdom, Canada, and Ireland as well as for PBS-TV: Carmen, “Live From Lincoln Center” and “La Boheme, Great Performances,” for which he was honored by the Academy of TV Arts and Sciences. Mr. Colavecchia has also been awarded by Artists in the Theatre, British Arts Council and Royal Society for Arts and Industry, United Kingdom.
Christine Turbitt (1974)
Christine Turbitt is originally from Northern California, but has lived in North Carolina for over thirty years. She earned a BA from the University of California, Berkeley, and an MFA from the University of California, Irvine. Ms. Turbitt’s designs have been seen onstage at UNCSA in many productions including “La Sylphide,” “Kiss Me, Kate,” “The Coronation of Poppea,” “Too Clever By Half” and “Topdog, Underdog.”
Ms. Turbitt’s clothes are also seen frequently at the Georgia Shakespeare Festival (where she is an associate artist), including those designed for “The Miser,” “Saint Joan,” “Comedy of Errors,” “What the Butler Saw,” “The Cherry Orchard,” “Metamorphoses” and “Merchant of Venice.” At neighboring Alabama Shakespeare Festival, she has costumed “When We Are Married,” “King Lear” and “Sheppey.” She has also designed clothes for more than 20 productions at North Carolina Shakespeare Festival, almost that many for the Monomoy Theatre on Cape Cod and at many others at various theatres and universities up and down the East Coast. When she has on her technology hat, Ms. Turbitt has worked for Colorado Shakespeare Festival (draper, 1992), Great Lakes Theater Festival (costume shop manager, 1983) and Santa Fe Opera (apprentice, 1975; first hand, 1976-77; draper, 2002).