
Hear bass and banjo like never before in this bold, genre-spanning performance. Double bassist Craig Butterfield and banjo phenom Max Allard team up to present a program inspired by "Music for Two," the groundbreaking recording by Edgar Meyerand and Béla Fleck. Blending original works with music shaped by Meyer and Fleck's legacy, Butterfield and Allard move seamlessly across folk, bluegrass, jazz and classical styles -- highlighting a natural chemistry between the instruments. With a shared spirit of exploration, this duo pushes beyond tradition to create a sound that is vibrant, inventive and entirely their own.

An acclaimed film exploring AI and society that premiered at Sundance in 2026, the AI Doc is presented in partnership with a/perture cinema. There will be a discussion following the screening featuring film editor Davis Coombe, UNCSA Chancellor Brian Cole, and Arts and Emerging Technology Residency Project Director Koven J. Smith.

Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts. The event centers on the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, which was created in collaboration with Mimi Yin and NUUM Collective.

Step into a luminous soundscape as soprano Alisa Jordheim (Gilda in "Rigoletto," Soeur Constance in "Dialogues des Carmélites," Violetta in "La Traviata") brings the dramatic beauty of the Nordic landscape to life through music. Featuring works by Edvard Grieg, Eyvind Alnæs, Agathe Backer Grøndahl, Hugo Alfvén, Jean Sibelius, Lars-Erik Larsson, Albert Schnelzer and Carl Nielsen, the program draws on a rich tradition of song shaped by mountains, fjords, forests and shifting light. Performed in Norwegian, Swedish, Danish and Finnish, these works reflect a deep connection to nature, from quiet introspection to moments of striking intensity. With clarity, warmth and expressive depth, Jordheim invites audiences into a world where the natural and musical realms are inseparable. Alisa Jordheim performs at UNCSA as part of a year-long operatic celebration of the 25th anniversary of the A.J. Fletcher Opera Institute.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.
Click Here For information about the 2026 Symposium
The Thomas S. Kenan Institute for the Arts and the University of North Carolina School of the Arts (UNCSA) hosted the first regional gathering for the celebrated Black Sacred Music Symposium, Feb 15-18 on the UNCSA campus.
Founded in 1991 by Dr. Ollie Watts Davis, the Black Sacred Music Symposium is a four-day conference dedicated to the study and performance of Black sacred music traditions, culminating in a large-scale community choral performance to celebrate the music, the methods and the message behind the impactful genre.
Black Sacred Music Symposium XVII marked the first time that the Symposium was held away from its home at the University of Illinois Urbana-Champaign, where it was founded. Dr. Ollie Watts Davis, Associate Dean for Academic Programs in the College of Fine and Applied Arts, and Suzanne and William Allen Distinguished Professor of Music at the University of Illinois Urbana-Champaign, has directed the Symposium biennially for 32 years.
Participants in the Black Sacred Music Symposium expanded their knowledge and performance of the music and gained a deeper understanding of its message from distinguished guest artists Dr. Ollie Watts Davis, Berris Bolton, Rev. Dr. K. Edward Copeland, Kimberly Fullerton-Smith, Dr. Alonza Lawrence, and L’Tanya Moore-Copeland. Seminar topics ranged from the history and development of African American sacred music traditions, including its relevance to society and its global impact, to building an engaged music ministry, choral conducting, and vocal and instrumental techniques.
The concert program in the Freedman Theatre at UNCSA on February 18 featured works performed by the symposium choir and band including soloists and featured performances from the University of Illinois Black Chorus, the Winston-Salem State University Singing Rams, a UNCSA String Quartet, and student artists from the UNCSA School of Dance.
Additional presenting partners for the Black Sacred Music Symposium XVII included Wake Forest University School of Divinity, Winston-Salem State University Department of Music, Galilee Missionary Baptist Church, Union Baptist Church, Triad Cultural Arts, Inc., and the City of Winston-Salem Human Relations/Diversity, Equity and Inclusion Department.