
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

Step into a luminous soundscape as soprano Alisa Jordheim (Gilda in "Rigoletto," Soeur Constance in "Dialogues des Carmélites," Violetta in "La Traviata") brings the dramatic beauty of the Nordic landscape to life through music. Featuring works by Edvard Grieg, Eyvind Alnæs, Agathe Backer Grøndahl, Hugo Alfvén, Jean Sibelius, Lars-Erik Larsson, Albert Schnelzer and Carl Nielsen, the program draws on a rich tradition of song shaped by mountains, fjords, forests and shifting light. Performed in Norwegian, Swedish, Danish and Finnish, these works reflect a deep connection to nature, from quiet introspection to moments of striking intensity. With clarity, warmth and expressive depth, Jordheim invites audiences into a world where the natural and musical realms are inseparable. Alisa Jordheim performs at UNCSA as part of a year-long operatic celebration of the 25th anniversary of the A.J. Fletcher Opera Institute.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.

The Piano Department at the UNCSA School of Music opens its fourth season of Piano Fridays with Peruvian-born artist Priscilla Navarro. Navarro's career has included performances at Carnegie Hall and the Kennedy Center, and her playing has been featured on BBC Radio and Medici TV. Her UNCSA program features works by Bach, Schumann, Rachmaninoff, Albéniz and Gershwin.
A year ago, Destini Riley and Safiya Gallaghan had never heard of the UNCSA School of Filmmaking, even though the program ranks among the top in the nation. For the two teenagers from Durham, the esteemed film school — just a straight shot across Interstate 40 — might as well have been located on another continent.
Not anymore, thanks to a pilot partnership between the Thomas S. Kenan Institute for the Arts at the University of North Carolina School of the Arts and the Full Frame Documentary Film Festival in Durham.
Destini and Safiya, both 16, dream of becoming filmmakers one day. Last summer, they excelled at Full Frame’s School of Doc, a free summer program that teaches public high school students in Durham all aspects of documentary filmmaking. This summer, with support from the Kenan Institute, the teens traveled to Winston-Salem, where they spent five weeks living on campus and further exploring their passion at the UNCSA Summer Filmmaking Intensive.
“These are generally kids of need or kids who have not left Durham, so opportunities like this are absolutely invaluable,” says Deirdre Haj, Director of Full Frame.
“The School of the Arts has one of the best physical facilities for filmmaking that I know of, certainly in the Southeast. Every piece of making a film is available to you on that campus.”
Since 2012, the Kenan Institute has supported fellowships for UNCSA film students to attend Full Frame’s annual film festival in downtown Durham, where they participate in master classes and network with professional documentary filmmakers. This new pilot, part of the Institute’s Career Pathways Initiative to broaden opportunities for sustainable careers in the arts, takes that partnership to new heights. The goal: to provide Full Frame School of Doc students with the opportunity to explore UNCSA’s four-year film study degree program and, in turn, help diversify an industry historically dominated by white men.
“It’s an all-boys club, which is unnatural,” says Janos J. Kovacsi, director of the college-prep program. “I’m particularly proud that this summer we had a 50-50 female/male ratio. It’s never happened before.”
Kovacsi was impressed by Destini and Safiya, who quickly delved into the process of narrative filmmaking, from screenwriting and cinematography to directing, producing and editing. “They integrated themselves in the program on Day One,” he says.
Both teens enjoyed the collaborative nature of their work at Studio Village, UNCSA’s on-campus movie set, and the range of experiences they gained from the program.
“It’s given us a lot of hands-on experience,” Safiya notes. “We had two full weeks of production. We did individual shoots and worked on others’ sets doing every little job, which is cool.”
“So you get experience not just in cinematography or directing,” Destini adds, “you get to be a boom operator, a sound mixer and an editor.”
Their experiences at UNCSA may prove instrumental in the future. Both teens are now looking at film schools to attend after graduation from high school next year.
“I’ve never been in a place like this — it makes me excited for college,” Safiya says. “In the end, I want to go to California because I want to make movies in LA.”
Destini is investigating film schools closer to home. “I really want to do animation and work with Pixar and Dreamworks,” she says. “This (UNCSA) is one of the two animation programs on the East Coast that they will hire from.”
Destini already has one film to her credit, an animated documentary short she co-wrote with filmmaker Nicholas Pilarski when he was a graduate student and studied at The Center for Documentary Studies at Duke University. In the autobiographical “I, Destini,” she grapples with the effects of her brother’s incarceration and explores issues of race, class, media and policing in Durham. The film has garnered awards and recognition at Aspen Shortsfest, Indie Grits, Palm Springs International ShortFest, and was nominated for the 59th CINE Awards in the Short Documentary category.
Both Destini and Safiya say they never could have come to UNCSA’s summer program had it not been for the partnership between the Kenan Institute and Full Frame.
And Deirdre Haj is quick to credit the partnership to the vision of Corey Madden, the Kenan Institute’s Executive Director.
“We are grateful that Corey came in with a very clear vision,” Haj says. “She described it as a circle — broaden the pipeline, build the professionals, then bring the professionals back — and we are just at the beginning of the circle. This is the very first play in a very long game and we are thrilled to be a part of this.”
July 29, 2016