
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

Step into a luminous soundscape as soprano Alisa Jordheim (Gilda in "Rigoletto," Soeur Constance in "Dialogues des Carmélites," Violetta in "La Traviata") brings the dramatic beauty of the Nordic landscape to life through music. Featuring works by Edvard Grieg, Eyvind Alnæs, Agathe Backer Grøndahl, Hugo Alfvén, Jean Sibelius, Lars-Erik Larsson, Albert Schnelzer and Carl Nielsen, the program draws on a rich tradition of song shaped by mountains, fjords, forests and shifting light. Performed in Norwegian, Swedish, Danish and Finnish, these works reflect a deep connection to nature, from quiet introspection to moments of striking intensity. With clarity, warmth and expressive depth, Jordheim invites audiences into a world where the natural and musical realms are inseparable. Alisa Jordheim performs at UNCSA as part of a year-long operatic celebration of the 25th anniversary of the A.J. Fletcher Opera Institute.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.

The Piano Department at the UNCSA School of Music opens its fourth season of Piano Fridays with Peruvian-born artist Priscilla Navarro. Navarro's career has included performances at Carnegie Hall and the Kennedy Center, and her playing has been featured on BBC Radio and Medici TV. Her UNCSA program features works by Bach, Schumann, Rachmaninoff, Albéniz and Gershwin.
Award-winning composer Stella Sung is the newest addition to the Board of Advisors of the Thomas S. Kenan Institute for the Arts at the University of North Carolina School of the Arts. She will serve a three-year term, beginning this month at the Board of Advisors meeting October 25.
“I am very excited to be serving as a new board member for the Kenan Institute, and I look forward to learning, sharing and experiencing new artistic and collaborative work,” Sung said. “The diversity and aspects of community work that the Kenan Institute does are most interesting to me, and I am honored to be working alongside new colleagues and fellow artists.”
As a national and international award-winning composer, Sung’s compositions are performed throughout the United States and abroad. She is director of the Center for Research and Education in Arts, Technology, and Entertainment (CREATE) at the University of Central Florida and is Professor of Music in UCF’s School of Visual Arts and Design.
The Kenan Institute is excited about the experience and passion Sung brings to the board, said Kenan Executive Director Corey Madden. “Stella is renowned for her innovative use of cutting-edge technologies in her compositions to elevate the artistic impact of her work and engage audiences in new ways. She is a quintessential artist leader, and the Kenan Institute is honored to have her bring her experience and expertise as we work to inspire artists to become leaders, entrepreneurs and innovators who can tackle the complex challenges of the 21st-century creative economy.”
Sung is director of CREATE at the University of Central Florida as well as a Professor of Music. She holds a Pegasus Professorship, the highest honor awarded to distinguished faculty members at UCF, and also holds one of twelve University Trustees Chair professorships.
She earned a Bachelor of Music degree in piano performance from the University of Michigan, a Master of Fine Arts degree in composition from the University of Florida and a Doctor of Musical Arts degree in piano performance from the University of Texas at Austin.
Since 2003, Sung has been using digital and multi-media applications in her concert and symphonic compositions, music for dance and ballet, and recent operas that include the use of advanced projection techniques and other stage design concepts using technology.
She is also an active composer for film and was the composer and music supervisor for the score for the full-length documentary film, “Voices in the Clouds,” which received critical acclaim in national and international film festivals. Her music was featured in the short animation film, “Atlas’ Revenge,” based upon her orchestral work of the same title, which was selected as the first place winner at the SIGGRAPH conference.
Several documentary films have been made about Sung’s work including a film by award-winning documentary film-maker Lisa Mills, which captures the world premiere performance of her large orchestral work, “The Circle Closes.” The film garnered a Silver Medal Award from the Park City Film Music Festival and a Bronze Telly Award.
Sung is the recipient of many awards, including the Phi Kappa Phi National Artists Award and a Meet the Composer award. She is a two-time winner of a Florida Individual Artists Fellowship, as well as the recipient of a Florida Artists Enhancement award. She was a Fellow at the prestigious MacDowell Colony and was the recipient of the Norton Stevens Fellowship. Other awards have been from the National Endowment for the Arts, New Music USA, Meet the Composer, the German Ministry of Culture, the American Society of Composers, Authors, and Publishers (ASCAP) and the Division of Cultural Affairs of the State of Florida.
June 15, 2021