
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

In a world of surreal encounters and shifting realities, lives collide in 1980s America as friends, lovers and strangers navigate beautiful and challenging transformations in Tony Kushner's "Angels in America," the Pulitzer Prize-winning play that was also adapted into an acclaimed HBO miniseries.

Jennifer Rowley, lauded by the New York Times as "a singer of enormous gift and promise," illuminates Watson Hall with a voice of striking power and expressive nuance. From intimate reflection to soaring virtuosity, the program features music that demands both technical brilliance and deep emotional clarity, highlighting the full dramatic and lyrical range of the soprano repertoire. The recital moves between operatic arias and art song, showcasing the voice as both instrument and storyteller. Rowley is acclaimed for her powerful voice and commanding stage presence, with a repertoire spanning many of opera's great heroines. She has appeared on major international stages including the Metropolitan Opera, Staatsoper Berlin and Opernhaus Zürich and in roles such as Aida, Tosca and Turandot. She is also the founder of Aria Bootcamp and serves on the voice faculty at the Curtis Institute of Music. Jennifer Rowley performs at UNCSA as part of a year-long operatic celebration of the 25th anniversary of the A.J. Fletcher Opera Institute.

A vibrant showcase of woodwind artistry marks the arrival of new faculty members Steven Banks (H.S. Music '11) and Rachel Messing in a collaborative afternoon of chamber music. The program features the work of composers Reena Esmail and Madeleine Dring alongside new pieces by faculty composer Lawrence Dillon and alumna Phoebe Pylant (H.S. Music '25), showcasing a harmonious mix of voices across styles and generations. Banks, saxophone, and Messing, oboe, are joined by faculty artists -- Tadeu Coelho, flute; Oskar Espina Ruiz, clarinet; Stephanie Patterson, bassoon; Maria Serkin, horn, and special guests.

Bold, brilliant and full of energy, trumpet students shine in an evening of music showcasing the range and technical power of the instrument. Under the guidance of professor David Dash, the studio presents a recital highlighting both individual growth and collective artistry, offering a glimpse of the next generation of brass performers.

New music comes vividly to life in an evening of bold chamber collaboration from the KDA Trio -- intense and fresh, offering audience a direct connection to the evolving sound of today's chamber repertoire. Violinist Katherine Gilger, faculty trumpeter David Dash and pianist Anatoly Larkin present a program centered on contemporary creativity, featuring works by Canadian composer Michael Spiroff, American composer Eric Ewazen, Icelandic composer Jórunn Viðar and a UNCSA student composer.
Since the theme of Art + Healing was announced last January for the Thomas S. Kenan Institute for the Arts' Artivate 2020 Summit, the goal of this year’s Summit has been to bring together creatives in the arts, medical and spiritual fields for an experiential practice-based event that inspires inquiry between innovative integration of the arts, science, spirituality and holistic wellness.
With the theme more timely now than ever, the Kenan Institute has announced that the Artivate 2020 Summit will continue online this year, with live virtual events September 15 and 16, to ensure safe and equitable access to the broadest range of attendees possible, in particular those most affected by COVID-19.
UNCSA Chancellor Brian Cole believes the conversion of Artivate to a virtual platform highlights UNCSA’s and the Kenan Institute’s dedication to fostering a collaborative and innovative artist community.
“In moving Artivate 2020 to an online platform, the Kenan Institute continues to demonstrate its commitment to the artistic community while embracing innovation and creative problem-solving. A virtual Summit has the potential to set new precedents for ways in which to broaden the number of artists and interdisciplinary creatives who engage with UNCSA and with each other,” Cole says.
The Artivate Summit 2020, a vital component of the Creative Catalyst program, will be presented online with keynote speakers, breakout sessions and other virtual community-building exercises in the spirit of the original in-person event.
“This is an opportunity to gather the community around a conversation that is productive and healing and provide artists with actionable insights that they can take back into the world,” says Nadiyah Quander, Program Manager for the Kenan Institute’s Creative Catalyst Initiative. “The programming will stay true to the original goals of the Summit, while being sensitive to those most impacted by COVID-19 at this time.”
A request for session proposals for Artivate 2020 is open through Monday, June 29 to those interested in conducting a session.
Registration for attendees will open Monday, July 13 and will be limited due to streaming capacity. Registration fees have been waived, but donations of $20 are suggested.
The deep purpose of the Artivate 2020 Summit is to acknowledge the split between arts, science and spirituality, and to propose that practice is a powerful mindset to explore and renew among a diverse group of innovators and leaders.
The theme seeks to address questions for health and spiritual professionals like, “How can I benefit from engaging the arts in my practice?” and encourage creatives to ask, “How can I integrate my practice into the worlds of health and spirituality?”
Practitioners like Buddy Marterre, MD, MDiv, Assistant Professor in the Departments of Surgery and Internal Medicine (Palliative Care) at the Wake Forest University School of Medicine, sees the value at the intersection of arts and medicine. “Medical learners can use the arts and humanities for their own self-awareness, care and compassion,” Marterre says, “which hopefully will translate to cultivating more empathy and compassion for patients.”
Likewise, artists are poised to share and learn from medical professionals. “Artivate aims to create a space where artists and practitioners not just connect and talk about what we need — but a space to learn from one another in terms of how to do the work where we are right now,” says Jacinta White, Poet, Facilitator and Publishing Editor at “Snapdragon: A Journal of Art & Healing."
To that end, the Summit will focus on three paths within Art + Healing, encouraging deeper exploration of each:
Artivate 2020 is currently accepting proposals for presenters now through June 29. The Kenan Institute invites session proposals that explore the following inquiries:
Presenters will have the option of presenting a 3-5 minute Pecha Kucha (a presentation format that includes showing 10 visuals for 20 seconds each) or an interactive workshop (20- to 45-minutes). The Pecha Kuchas, in particular, can provide quick, inspirational insights for peers, as well as opportunities to ideate and explore new ways of approaching your practices.
In some cases, the Kenan Institute can pair creatives with medical experts or researchers to design an interactive experience that has an active and inclusive presentation style. Artivate 2020 may also have opportunities to participate in panel dialogues.
The Kenan Institute will continue to release details about registration, scheduling, online access and other Artivate-related events and activities throughout Summer 2020. In the meantime, mark these dates on your calendar:
Deadline for Session Proposals: June 29
Registration opens for Artivate attendees: July 13
Artivate 2020 Summit online: September 15 and 16
For more information about becoming a presenter, sponsoring programming or attending
Artivate 2020, email artivate@uncsa.edu.
May 5, 2020