
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.

The Piano Department at the UNCSA School of Music opens its fourth season of Piano Fridays with Peruvian-born artist Priscilla Navarro. Navarro's career has included performances at Carnegie Hall and the Kennedy Center, and her playing has been featured on BBC Radio and Medici TV. Her UNCSA program features works by Bach, Schumann, Rachmaninoff, Albéniz and Gershwin.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.
To celebrate the launch of the Thomas S. Kenan Institute for the Arts’ new podcast, “Art Restart,” five remarkable artist leaders from around the country came together for a virtual salon on Thursday, January 14, where they discussed what needs to be reinvented in their artistic fields and how they would go about reinventing it. Watch the “Art Restart: Hindsight 2020” virtual salon below.
The pandemic has laid bare what so many artists already knew: So many of the existing systems for supporting and producing art were outdated or running on fumes long before COVID-19.
The long-overdue national reckoning with systemic racial inequities and injustices has exposed the myriad ways current systems have replicated and maintained exclusionary tactics.
So what’s next? Once life returns to a semblance of normalcy, will artists and artistic institutions return to the status quo or have the events of 2020 presented a unique chance for artists to revolutionize the way they bring their art to their communities?


Murielle Elizéon and Tommy Noonan, dancers/choreographers and co-founders and co-directors of Culture Mill, a performing arts laboratory in Saxapahaw, NC

Tito Muñoz, Music Director of the Phoenix Symphony in Phoenix, AZ


The Thomas S. Kenan Institute for the Arts’ “Artist as Leader” interview series and podcast has proved that artists are among the most nimble and resourceful leaders in our communities. The tumultuous events of the year 2020 made us want to build on this knowledge, while shifting the focus of interviews to more urgently plumb artists’ innate capacity for creative problem-solving. In our new podcast, “Art Restart,” we’ll explore how artists are reinventing their fields and building a new landscape for the arts.
The first season of Art Restart will focus specifically on the lessons of the year 2020.
January 15, 2021