
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

What happens when fiddle tunes meet jazz improvisation? The Nashville Trio delivers a sound that feels both familiar and completely unexpected.

In a world of surreal encounters and shifting realities, lives collide in 1980s America as friends, lovers and strangers navigate beautiful and challenging transformations in Tony Kushner's "Angels in America," the Pulitzer Prize-winning play that was also adapted into an acclaimed HBO miniseries.

Chilling premonitions drive this story of ambition, power and fate. Each scene is charged with suspense and despair in one of Shakespeare's most celebrated tragedies. "Fair is foul, and foul is fair" when blood, betrayal, and dark magic collide in this daring, all-female production. Alumna Acadia Barrengos (B.F.A. Drama '22) directs, bringing a bold, contemporary perspective to the Scottish tragedy. The cast challenges traditional gender roles while playing amongst the dangerous allure of power and collision with destiny. Step into a visually striking world where nothing is as it seems -- promising a gripping experience of theatrical thrills. Just don't say the name of the play out loud! Barrengos returns to UNCSA as an alumni director with support from the Thomas S. Kenan Institute for the Arts.

Expansive sound, bold soloists and high-stakes musical energy unite in a Symphony Orchestra program built to thrill. Hailed by Fanfare as a "rising young conductor," Ian Passmore returns to lead a dynamic evening of contrast and power.

From rhythmic vitality to neoclassical precision, the UNCSA Wind Ensemble and Symphonic Winds trace a wide musical range across contrasting tones. Dmitri Shostakovich's "Folk Dances" opens the program with driving energy and spirited motion, drawing themes from the Russian ballet tradition. Richard Strauss' Serenade, Op. 7 follows with youthful grace, revealing the composer's early command of elegance and line. Igor Stravinsky's Octet introduces a shift in texture and form, offering crisp neoclassical writing defined by wit, clarity and inventive structure. Vincent Persichetti's Symphony No. 6 closes the program with sweeping contrast and rich detail in transformation -- inviting audiences to listen for musical form in addition to melody. Under the direction of Mark Norman, the ensembles move between energy, refinement and growing musical architecture within a single program.
Join the Thomas S. Kenan Institute for the Arts for its Fall Art Restart Salon on Wednesday, Sept. 1, at 7:00 p.m. Eastern. The salon, "Creative, Vulnerable and Well," will feature an honest discussion about personal psychological challenges artists have faced and the strategies they have developed to maintain their mental wellness.

Catalina (CATAPHANT) Bellizzi-Itiola is a San Diego-based visual artist, activist, educator, muralist and designer who creates highly textured, mixed-media abstract paintings based on her experiences with spirituality and mental illness.

Frank Horvat is an award-winning multi-genre composer and pianist who explores a wide array of themes in his music from love to the environment, mental health and social justice issues.

Boston native Cliff Notez is an award-winning, multi–digital media artist, musician, entrepreneur, and filmmaker whose art is a continuous exploration of the Black mind.

Stephanie Cartwright is the Clinical Director for UNCSA's Counseling Services. She supports students during various developmental stages throughout their high school and college careers.

Moderator Tara Rynders is an interdisciplinary dance and video artist who has been a registered nurse for sixteen years. She is an Advanced Certified Grief Recovery Specialist and the founder and artistic director of The Clinic, an arts and play-based company that provides workshops, performances and research around burnout and secondary traumatic stress.
The Thomas S. Kenan Institute for the Arts’ “Artist as Leader” interview series and podcast has proved that artists are among the most nimble and resourceful leaders in our communities. The tumultuous events of the year 2020 made us want to build on this knowledge, while shifting the focus of interviews to more urgently plumb artists’ innate capacity for creative problem-solving. In our new podcast, “Art Restart,” we’ll explore how artists are reinventing their fields and building a new landscape for the arts.
The first season of Art Restart will focus specifically on the lessons of the year 2020.
January 15, 2021