
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

Step into a luminous soundscape as soprano Alisa Jordheim (Gilda in "Rigoletto," Soeur Constance in "Dialogues des Carmélites," Violetta in "La Traviata") brings the dramatic beauty of the Nordic landscape to life through music. Featuring works by Edvard Grieg, Eyvind Alnæs, Agathe Backer Grøndahl, Hugo Alfvén, Jean Sibelius, Lars-Erik Larsson, Albert Schnelzer and Carl Nielsen, the program draws on a rich tradition of song shaped by mountains, fjords, forests and shifting light. Performed in Norwegian, Swedish, Danish and Finnish, these works reflect a deep connection to nature, from quiet introspection to moments of striking intensity. With clarity, warmth and expressive depth, Jordheim invites audiences into a world where the natural and musical realms are inseparable. Alisa Jordheim performs at UNCSA as part of a year-long operatic celebration of the 25th anniversary of the A.J. Fletcher Opera Institute.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.

The Piano Department at the UNCSA School of Music opens its fourth season of Piano Fridays with Peruvian-born artist Priscilla Navarro. Navarro's career has included performances at Carnegie Hall and the Kennedy Center, and her playing has been featured on BBC Radio and Medici TV. Her UNCSA program features works by Bach, Schumann, Rachmaninoff, Albéniz and Gershwin.
The Thomas S. Kenan Institute for the Arts works in partnership with the Happy Hill Neighborhood Association to present Happy Hill Arts, a place-based arts and cultural initiative in a historically African American community adjacent to the University.
Additionally, in 2019, UNCSA, in partnership with the Kenan Institute and the Winston-Salem Department of Community Development, was recomended for a $50,000 Our Town grant from the National Endowment of the Arts (NEA) to support an artist-led cultural restoration project in the Happy Hill neighborhood.
Happy Hill Arts sponsors cultural arts activities and events that engage both its youth and adult populations, thereby enhancing and enriching the quality of life and educational opportunities for residents. The Happy Hill Summer Arts Program, launched in the summer of 2017, offers participating children diverse experiences, including dance, drumming and photography classes, as well as field trips to arts and cultural destinations in Winston-Salem. In April 2018, Happy Hill Arts added After-School Arts, providing an opportunity to build on the success of the summer program and provide more consistent interaction with the community.
In May 2018, the Winston-Salem Foundation presented Happy Hill Arts founders Amatuallah Saleem and Rebecca Bryant Williams with an ECHO Award, presented to local individuals and organizations that are building social capital.
The program is led by the Happy Hill Neighborhood Association with technical and administrative support from the Kenan Institute.
In 2019, UNCSA, in partnership with the Thomas S. Kenan Institute for the Arts and the Winston-Salem Department of Community Development, was recommended for a $50,000 Our Town grant from the National Endowment of the Arts to support an artist-led cultural restoration project in the Happy Hill neighborhood. The grant was announced in May 2019 by the NEA.
The grant supports research and planning for the three-part Happy Hill Cultural Restoration Project. Led by a coalition of artists, residents and community leaders, the project will identify and build upon the historic neighborhood’s community assets, reenvision housing development, and create a master plan for reengaging the community through arts programming.
UNCSA, through the Kenan Institute, was inspired to apply for the grant after partnering with the Happy Hill Neighborhood Association on Happy Hill Arts.
The project includes three parts:
For more information about the Happy Hill Partnership, contact Liza Vest at vestl@uncsa.edu or the Happy Hill Neighborhood Association at hhnaofws@gmail.com.