
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

In a world of surreal encounters and shifting realities, lives collide in 1980s America as friends, lovers and strangers navigate beautiful and challenging transformations in Tony Kushner's "Angels in America," the Pulitzer Prize-winning play that was also adapted into an acclaimed HBO miniseries.

Chilling premonitions drive this story of ambition, power and fate. Each scene is charged with suspense and despair in one of Shakespeare's most celebrated tragedies. "Fair is foul, and foul is fair" when blood, betrayal, and dark magic collide in this daring, all-female production. Alumna Acadia Barrengos (B.F.A. Drama '22) directs, bringing a bold, contemporary perspective to the Scottish tragedy. The cast challenges traditional gender roles while playing amongst the dangerous allure of power and collision with destiny. Step into a visually striking world where nothing is as it seems -- promising a gripping experience of theatrical thrills. Just don't say the name of the play out loud! Barrengos returns to UNCSA as an alumni director with support from the Thomas S. Kenan Institute for the Arts.

Expansive sound, bold soloists and high-stakes musical energy unite in a Symphony Orchestra program built to thrill. Hailed by Fanfare as a "rising young conductor," Ian Passmore returns to lead a dynamic evening of contrast and power.

From rhythmic vitality to neoclassical precision, the UNCSA Wind Ensemble and Symphonic Winds trace a wide musical range across contrasting tones. Dmitri Shostakovich's "Folk Dances" opens the program with driving energy and spirited motion, drawing themes from the Russian ballet tradition. Richard Strauss' Serenade, Op. 7 follows with youthful grace, revealing the composer's early command of elegance and line. Igor Stravinsky's Octet introduces a shift in texture and form, offering crisp neoclassical writing defined by wit, clarity and inventive structure. Vincent Persichetti's Symphony No. 6 closes the program with sweeping contrast and rich detail in transformation -- inviting audiences to listen for musical form in addition to melody. Under the direction of Mark Norman, the ensembles move between energy, refinement and growing musical architecture within a single program.

The UNCSA Voice Department will present an afternoon of solos and ensembles reaching back to the Renaissance and Baroque periods, while also sampling more contemporary composers who emulate Early Music styles. Of course there will be Bach and Handel, but keep an ear out for surprises from Lully, Strozzi, Purcell, Caccini, and Betinis as well. Featuring high school and undergraduate students from the studios of Marilyn Taylor, Glenn Siebert, Phyllis Pancella, and Jodi Burns.
The Thomas S. Kenan Institute for the Arts works in partnership with the Happy Hill Neighborhood Association to present Happy Hill Arts, a place-based arts and cultural initiative in a historically African American community adjacent to the University.
Additionally, in 2019, UNCSA, in partnership with the Kenan Institute and the Winston-Salem Department of Community Development, was recomended for a $50,000 Our Town grant from the National Endowment of the Arts (NEA) to support an artist-led cultural restoration project in the Happy Hill neighborhood.
Happy Hill Arts sponsors cultural arts activities and events that engage both its youth and adult populations, thereby enhancing and enriching the quality of life and educational opportunities for residents. The Happy Hill Summer Arts Program, launched in the summer of 2017, offers participating children diverse experiences, including dance, drumming and photography classes, as well as field trips to arts and cultural destinations in Winston-Salem. In April 2018, Happy Hill Arts added After-School Arts, providing an opportunity to build on the success of the summer program and provide more consistent interaction with the community.
In May 2018, the Winston-Salem Foundation presented Happy Hill Arts founders Amatuallah Saleem and Rebecca Bryant Williams with an ECHO Award, presented to local individuals and organizations that are building social capital.
The program is led by the Happy Hill Neighborhood Association with technical and administrative support from the Kenan Institute.
In 2019, UNCSA, in partnership with the Thomas S. Kenan Institute for the Arts and the Winston-Salem Department of Community Development, was recommended for a $50,000 Our Town grant from the National Endowment of the Arts to support an artist-led cultural restoration project in the Happy Hill neighborhood. The grant was announced in May 2019 by the NEA.
The grant supports research and planning for the three-part Happy Hill Cultural Restoration Project. Led by a coalition of artists, residents and community leaders, the project will identify and build upon the historic neighborhood’s community assets, reenvision housing development, and create a master plan for reengaging the community through arts programming.
UNCSA, through the Kenan Institute, was inspired to apply for the grant after partnering with the Happy Hill Neighborhood Association on Happy Hill Arts.
The project includes three parts:
For more information about the Happy Hill Partnership, contact Liza Vest at vestl@uncsa.edu or the Happy Hill Neighborhood Association at hhnaofws@gmail.com.