
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

What happens when fiddle tunes meet jazz improvisation? The Nashville Trio delivers a sound that feels both familiar and completely unexpected.

In a world of surreal encounters and shifting realities, lives collide in 1980s America as friends, lovers and strangers navigate beautiful and challenging transformations in Tony Kushner's "Angels in America," the Pulitzer Prize-winning play that was also adapted into an acclaimed HBO miniseries.

Chilling premonitions drive this story of ambition, power and fate. Each scene is charged with suspense and despair in one of Shakespeare's most celebrated tragedies. "Fair is foul, and foul is fair" when blood, betrayal, and dark magic collide in this daring, all-female production. Alumna Acadia Barrengos (B.F.A. Drama '22) directs, bringing a bold, contemporary perspective to the Scottish tragedy. The cast challenges traditional gender roles while playing amongst the dangerous allure of power and collision with destiny. Step into a visually striking world where nothing is as it seems -- promising a gripping experience of theatrical thrills. Just don't say the name of the play out loud! Barrengos returns to UNCSA as an alumni director with support from the Thomas S. Kenan Institute for the Arts.

Expansive sound, bold soloists and high-stakes musical energy unite in a Symphony Orchestra program built to thrill. Hailed by Fanfare as a "rising young conductor," Ian Passmore returns to lead a dynamic evening of contrast and power.

From rhythmic vitality to neoclassical precision, the UNCSA Wind Ensemble and Symphonic Winds trace a wide musical range across contrasting tones. Dmitri Shostakovich's "Folk Dances" opens the program with driving energy and spirited motion, drawing themes from the Russian ballet tradition. Richard Strauss' Serenade, Op. 7 follows with youthful grace, revealing the composer's early command of elegance and line. Igor Stravinsky's Octet introduces a shift in texture and form, offering crisp neoclassical writing defined by wit, clarity and inventive structure. Vincent Persichetti's Symphony No. 6 closes the program with sweeping contrast and rich detail in transformation -- inviting audiences to listen for musical form in addition to melody. Under the direction of Mark Norman, the ensembles move between energy, refinement and growing musical architecture within a single program.
| CREATIVE CATALYST FELLOWSHIP IN PLACEMAKING + VISUAL STORYTELLING | |
| Location | Beta Verde Winston-Salem, N.C. |
| Application Deadline | July 30, 2021 |
| Fellowship Duration | Seven-month fellowship beginning September 15, 2021 |
| Time | 20-25 hours/week |
Beta Verde will engage an artist through the Thomas S. Kenan Institute for the Arts' Creative Catalyst Fellowship program for a seven-month community project. The Fellow will lead outreach to and coordination with neighborhoods and residents in Winston-Salem, NC, as well as local organizations whose work is focused on surrounding underserved communities. With a particular lens on where creative and/or culinary and entrepreneurial opportunities intersect, the fellow will craft a visual story to demonstrate the potential impact of Beta Verde’s placemaking initiatives based on the Southside of Winston-Salem, NC.
The Fellow will have a flexible schedule and access to the many resources connected
to Beta Verde, including designated work space and office amenities. On-site housing
is available, if needed. Additional training, resources and opportunities may be offered
in partnership with the Thomas S. Kenan Institute for Arts.
Beta Verde does not discriminate on the basis of race, age, color, religion, national
origin or ancestry, gender identity, ability, sexual orientation, expression or parents/guardians
with children, and will prioritize applicants who identify as BIPOC and/or are bilingual
(English/Spanish).
FOCUS ONE: Gather/Review Existing Data, Resources & Planning
FOCUS TWO: Community Outreach
FOCUS THREE: Creative / Visual Presentation & Final Materials
ADMINISTRATIVE DUTIES
Beta Verde is a multi-pronged creative collaborative with food at the core of its programming, from farmers markets to kitchen incubators to retreats to consulting. Beta Verde serves as a consultant to adaptive reuse placemaking projects in cities across the nation. For many larger projects whose food components include shared use kitchens, market concepts or agricultural ventures, Beta Verde is a tool for connecting strong, local partners with related visions.
Our name, Beta Verde, comes from a pun on the beta version and is nimble enough to ebb, flow and embrace the scope of our evolving project portfolio. Over the years, we’ve shared space with creators of all types, collaborated with local and international organizations, and opened our doors for culinary, artistic, familial and entrepreneurial ventures, activities and retreats. We’re determined to remain responsive to and discover creative solutions for the real needs and challenges that surface in our communities.
Creative Catalyst Fellowships, in partnership with the Thomas S. Kenan Institute for the Arts at UNC School of the Arts, are highly competitive, paid fellowships that advance artist leadership through skill-building, mentoring, and community of practice; strengthen creative community networks to better address regional gaps; foster systemic approaches to increase access, inclusion and equity; and embrace participation and exchange across the creative sector. Creative Catalyst Fellows will also gain access to educational and community-building opportunities.