
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
| CREATIVE CATALYST FELLOWSHIP IN DIVERSITY, EQUITY & INCLUSIVITY | |
| Location | John C. Campbell Folk School Brasstown, N.C. |
| Application Deadline | May 21, 2021 |
| Fellowship Duration | Six-month fellowship, beginning August 2021 |
| Time | 20-25 hours/week |
Issue: The Folk School, like many other folk/craft organizations, struggles to engage younger and more diverse audiences. One of the major goals of our Strategic Plan, approved in 2019, is to assess what diversity means for us and to make changes across the organization to help become a more inclusive place.
With this goal in mind, we launched a pilot mentorship program in 2020, and offered scholarships and stipends for emerging artists to spend a month of focused study with master craftspeople in our studios. We weighed the selection process to prioritize BIPOC and LGBTQ+ artists and brought a diverse group of emerging artists to our small corner of North Carolina. The experience was both inspiring and humbling as our staff engaged in conversations about inclusivity and gender identity, some for the first time. It became clear that we need to facilitate training and a great deal of discussion between Folk School staff to address not only the HOW but also the WHY behind where we are in terms of inclusivity and work together to identify shared goals that will help us develop a more inclusive and diverse community.
Goal: The Fellow in Diversity and Inclusivity will help us in foundational research to determine where we are now in terms of inclusivity, why we are here, and facilitate conversations that will help us define our goals moving forward.
Creative Catalyst Fellowships, in partnership with the Thomas S. Kenan Institute for the Arts at UNC School of the Arts, are highly competitive, paid fellowships that advance artist leadership through skill-building, mentoring, and community of practice; strengthen creative community networks to better address regional gaps; foster systemic approaches to increase access, inclusion and equity; and embrace participation and exchange across the creative sector. Creative Catalyst Fellows will also gain access to educational and community-building opportunities.