
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Hear the piano in conversation across time as Joshua Rupley returns to UNCSA for a residency and solo recital, tracing an arc through the piano's evolution. The program envelops the lyrical depth and clarity of Franz Schubert, the sweeping emotional intensity and structural weight of Johannes Brahms and the contemporary voice of Andrew Hirschfeld. Together, these composers guide audiences from romantic depth to modern exploration, revealing how the piano transforms through eras. Rupley is an award-winning performer and educator. A prizewinner of the Jackie McGehee Young Artists Competition and the Olga Kern International Piano Competition, he appears regularly in recital and is a dedicated advocate for contemporary music and new works. He currently teaches at the Leopold Mozart College of Music at the University of Augsburg.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

Engage your imagination and enjoy a bold exploration of sound and identity as faculty artist Ksenija Komljenović presents a solo recital of newly created works. New works by European composers Bartek Miler, Ana Krstajić and Miloš Branisavljević highlight rhythmic precision, tonal color and expressive range. Rooted in Komljenović's heritage, the music draws on a wide spectrum of influences -- folk traditions, blues, jazz, film scoring, and video games -- blending them into a contemporary musical language shaped by agility and invention.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
| CREATIVE CATALYST FELLOWSHIP IN DIVERSITY, EQUITY & INCLUSIVITY | |
| Location | John C. Campbell Folk School Brasstown, N.C. |
| Application Deadline | May 21, 2021 |
| Fellowship Duration | Six-month fellowship, beginning August 2021 |
| Time | 20-25 hours/week |
Issue: The Folk School, like many other folk/craft organizations, struggles to engage younger and more diverse audiences. One of the major goals of our Strategic Plan, approved in 2019, is to assess what diversity means for us and to make changes across the organization to help become a more inclusive place.
With this goal in mind, we launched a pilot mentorship program in 2020, and offered scholarships and stipends for emerging artists to spend a month of focused study with master craftspeople in our studios. We weighed the selection process to prioritize BIPOC and LGBTQ+ artists and brought a diverse group of emerging artists to our small corner of North Carolina. The experience was both inspiring and humbling as our staff engaged in conversations about inclusivity and gender identity, some for the first time. It became clear that we need to facilitate training and a great deal of discussion between Folk School staff to address not only the HOW but also the WHY behind where we are in terms of inclusivity and work together to identify shared goals that will help us develop a more inclusive and diverse community.
Goal: The Fellow in Diversity and Inclusivity will help us in foundational research to determine where we are now in terms of inclusivity, why we are here, and facilitate conversations that will help us define our goals moving forward.
Creative Catalyst Fellowships, in partnership with the Thomas S. Kenan Institute for the Arts at UNC School of the Arts, are highly competitive, paid fellowships that advance artist leadership through skill-building, mentoring, and community of practice; strengthen creative community networks to better address regional gaps; foster systemic approaches to increase access, inclusion and equity; and embrace participation and exchange across the creative sector. Creative Catalyst Fellows will also gain access to educational and community-building opportunities.