
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.

The Piano Department at the UNCSA School of Music opens its fourth season of Piano Fridays with Peruvian-born artist Priscilla Navarro. Navarro's career has included performances at Carnegie Hall and the Kennedy Center, and her playing has been featured on BBC Radio and Medici TV. Her UNCSA program features works by Bach, Schumann, Rachmaninoff, Albéniz and Gershwin.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.
| CREATIVE CATALYST FELLOWSHIP IN DIVERSITY, EQUITY & INCLUSIVITY | |
| Location | John C. Campbell Folk School Brasstown, N.C. |
| Application Deadline | May 21, 2021 |
| Fellowship Duration | Six-month fellowship, beginning August 2021 |
| Time | 20-25 hours/week |
Issue: The Folk School, like many other folk/craft organizations, struggles to engage younger and more diverse audiences. One of the major goals of our Strategic Plan, approved in 2019, is to assess what diversity means for us and to make changes across the organization to help become a more inclusive place.
With this goal in mind, we launched a pilot mentorship program in 2020, and offered scholarships and stipends for emerging artists to spend a month of focused study with master craftspeople in our studios. We weighed the selection process to prioritize BIPOC and LGBTQ+ artists and brought a diverse group of emerging artists to our small corner of North Carolina. The experience was both inspiring and humbling as our staff engaged in conversations about inclusivity and gender identity, some for the first time. It became clear that we need to facilitate training and a great deal of discussion between Folk School staff to address not only the HOW but also the WHY behind where we are in terms of inclusivity and work together to identify shared goals that will help us develop a more inclusive and diverse community.
Goal: The Fellow in Diversity and Inclusivity will help us in foundational research to determine where we are now in terms of inclusivity, why we are here, and facilitate conversations that will help us define our goals moving forward.
Creative Catalyst Fellowships, in partnership with the Thomas S. Kenan Institute for the Arts at UNC School of the Arts, are highly competitive, paid fellowships that advance artist leadership through skill-building, mentoring, and community of practice; strengthen creative community networks to better address regional gaps; foster systemic approaches to increase access, inclusion and equity; and embrace participation and exchange across the creative sector. Creative Catalyst Fellows will also gain access to educational and community-building opportunities.