
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

In a world of surreal encounters and shifting realities, lives collide in 1980s America as friends, lovers and strangers navigate beautiful and challenging transformations in Tony Kushner's "Angels in America," the Pulitzer Prize-winning play that was also adapted into an acclaimed HBO miniseries.

Chilling premonitions drive this story of ambition, power and fate. Each scene is charged with suspense and despair in one of Shakespeare's most celebrated tragedies. "Fair is foul, and foul is fair" when blood, betrayal, and dark magic collide in this daring, all-female production. Alumna Acadia Barrengos (B.F.A. Drama '22) directs, bringing a bold, contemporary perspective to the Scottish tragedy. The cast challenges traditional gender roles while playing amongst the dangerous allure of power and collision with destiny. Step into a visually striking world where nothing is as it seems -- promising a gripping experience of theatrical thrills. Just don't say the name of the play out loud! Barrengos returns to UNCSA as an alumni director with support from the Thomas S. Kenan Institute for the Arts.

Expansive sound, bold soloists and high-stakes musical energy unite in a Symphony Orchestra program built to thrill. Hailed by Fanfare as a "rising young conductor," Ian Passmore returns to lead a dynamic evening of contrast and power.

From rhythmic vitality to neoclassical precision, the UNCSA Wind Ensemble and Symphonic Winds trace a wide musical range across contrasting tones. Dmitri Shostakovich's "Folk Dances" opens the program with driving energy and spirited motion, drawing themes from the Russian ballet tradition. Richard Strauss' Serenade, Op. 7 follows with youthful grace, revealing the composer's early command of elegance and line. Igor Stravinsky's Octet introduces a shift in texture and form, offering crisp neoclassical writing defined by wit, clarity and inventive structure. Vincent Persichetti's Symphony No. 6 closes the program with sweeping contrast and rich detail in transformation -- inviting audiences to listen for musical form in addition to melody. Under the direction of Mark Norman, the ensembles move between energy, refinement and growing musical architecture within a single program.

The UNCSA Voice Department will present an afternoon of solos and ensembles reaching back to the Renaissance and Baroque periods, while also sampling more contemporary composers who emulate Early Music styles. Of course there will be Bach and Handel, but keep an ear out for surprises from Lully, Strozzi, Purcell, Caccini, and Betinis as well. Featuring high school and undergraduate students from the studios of Marilyn Taylor, Glenn Siebert, Phyllis Pancella, and Jodi Burns.
The Thomas S. Kenan Institute for the Arts is pleased to announce its 2022-2023 Faculty Leadership Grants, which provide UNCSA faculty support to develop projects that provide extraordinary creative development and interdisciplinary opportunities beyond the curriculum.
The Kenan Institute invited UNCSA faculty to apply for grants of up to $5,000 to support projects led by the faculty member that provide opportunities to explore new approaches to creative learning challenges; impact student learning outcomes; foster the capacity of faculty to lead; engage diverse stakeholders; and produce creative ideas and initiatives for further study or implementation. Since 2016, the Kenan Institute has awarded over 99 Faculty Leadership Grants totaling more than $301,463 in direct project support.
“The Kenan Institute for the Arts is committed to providing transformational learning opportunities for the campus community,” says Kevin Bitterman, executive director, “The Faculty Leadership Grants represents our long-term investment to create conditions where UNCSA faculty can have the freedom to explore, innovate, and take risks on creative projects that have the potential to produce new ideas and approaches for the benefit of the campus community.”
Recipients of the 2022-2023 Faculty Leadership Grants are instructors in the Schools of Dance, Drama, Design and Production, Filmmaking, and Music.

Professor Taryn Griggs received a grant to attend the 2023 Modes of Capture Symposium at the University of Limerick, where she presented a piece choreographed by herself and Chris Yon from UNCSA Preparatory Dance. The work was co-presented by Dance Limerick and the Irish World Academy of Music and Dance, University of Limerick. Photo Credit: Dance Limerick

In 2023, the Kenan Institute provided funds to send Professor Yoon Bae and nine Design & Production students to the Prague Quadrennial of Performance Design in the Czech Republic. Professor Bae was part of a team that designed the US exhibition at the PQ.
More information about the 2022-2023 recipients’ projects can be found on the Faculty Leadership Grants page.
The Thomas S. Kenan Institute for the Arts (TSKIA) at the University of North Carolina School of the Arts (UNCSA) was established in 1993 to strengthen the arts by initiating and incubating new ideas within the various constituencies and settings of UNCSA. By leveraging the extraordinary talents and creative energies of students, faculty, staff, and alumni to bring distinction to the University, the Institute acts as a springboard to the broader creative community. In the local community, the Kenan Institute forges alliances aimed at strengthening the arts ecosystem and increasing the contributions that artists make to develop social and economic capital. Regionally and nationally, the Kenan Institute collaborates with leading artists, and partners with exemplary arts organizations, to advance the creative community.
July 18, 2023