
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
This standard outlines the requirements and guidelines for managing access control within the University of North Carolina School of the Arts (UNCSA). It aims to ensure that access to systems, resources, and data is granted based on appropriate authorization levels and compliance with university policies.
This standard applies to all faculty, staff, students, contractors, and any other individuals who interact with UNCSA IT resources. It governs the methods by which access to information systems, physical facilities, and network resources is granted, modified, or revoked.
UNCSA will implement the following access control models:
1. Role-Based Access Control (RBAC)
Overview: Role-Based Access Control (RBAC) assigns access rights based on the roles of users within the organization. Each user is assigned one or more roles, and each role has permissions associated with it to access specific resources. This model simplifies access control management by focusing on roles rather than individual users.
Key Principles:
Example:
2. Attribute-Based Access Control (ABAC)
Overview: Attribute-Based Access Control (ABAC) grants access based on attributes of the user, the resource, and the environment. Unlike RBAC, which relies on roles, ABAC evaluates policies that combine multiple attributes such as the user’s department, location, time of access, or the type of device used.
Key Principles:
Example:
1. Access Request Process
2. Access Approval and Review
3. Multi-Factor Authentication (MFA)
4. Access Revocation
5. Monitoring and Auditing
Non-compliance with this access control standard may result in disciplinary action, including termination of access privileges, and further legal action if warranted. Users found violating the access control policies may face suspension or expulsion from the institution.
The University of North Carolina School of the Arts will implement a robust access control system, combining both role-based and attribute-based models, to ensure that only authorized individuals can access institutional resources. This approach balances security, flexibility, and user convenience while maintaining compliance with institutional and regulatory requirements.
July 08, 2025