
Hear bass and banjo like never before in this bold, genre-spanning performance. Double bassist Craig Butterfield and banjo phenom Max Allard team up to present a program inspired by "Music for Two," the groundbreaking recording by Edgar Meyerand and Béla Fleck. Blending original works with music shaped by Meyer and Fleck's legacy, Butterfield and Allard move seamlessly across folk, bluegrass, jazz and classical styles -- highlighting a natural chemistry between the instruments. With a shared spirit of exploration, this duo pushes beyond tradition to create a sound that is vibrant, inventive and entirely their own.

An acclaimed film exploring AI and society that premiered at Sundance in 2026, the AI Doc is presented in partnership with a/perture cinema. There will be a discussion following the screening featuring film editor Davis Coombe, UNCSA Chancellor Brian Cole, and Arts and Emerging Technology Residency Project Director Koven J. Smith.

Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts. The event centers on the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, which was created in collaboration with Mimi Yin and NUUM Collective.

Step into a luminous soundscape as soprano Alisa Jordheim (Gilda in "Rigoletto," Soeur Constance in "Dialogues des Carmélites," Violetta in "La Traviata") brings the dramatic beauty of the Nordic landscape to life through music. Featuring works by Edvard Grieg, Eyvind Alnæs, Agathe Backer Grøndahl, Hugo Alfvén, Jean Sibelius, Lars-Erik Larsson, Albert Schnelzer and Carl Nielsen, the program draws on a rich tradition of song shaped by mountains, fjords, forests and shifting light. Performed in Norwegian, Swedish, Danish and Finnish, these works reflect a deep connection to nature, from quiet introspection to moments of striking intensity. With clarity, warmth and expressive depth, Jordheim invites audiences into a world where the natural and musical realms are inseparable. Alisa Jordheim performs at UNCSA as part of a year-long operatic celebration of the 25th anniversary of the A.J. Fletcher Opera Institute.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.
Performing artist and choreographer Laura Gutierrez is the newest member to join the Board of Advisors for the Thomas S. Kenan Institute for the Arts at the University of North Carolina School of the Arts.
Gutierrez is an alumna of the UNCSA School of Dance and has performed at national and international dance festivals, museums and other venues. Her original choreography has been performed in New York City, Houston and other cities across the country.

Laura Gutierrez / Photo: Lynn Lane
“I’m thrilled to be joining the Kenan Institute as a new board member,” Gutierrez says. “It brings me great pleasure to be part of an organization that is actively pushing the arts to the forefront of our communities. I’m looking forward to learning from and meeting new colleagues as well as sharing with them my experiences in the field of dance.”
“We are excited for Laura to join the Board of Advisors,” said Kenan Institute Executive Director Corey Madden. “The Kenan Institute is privileged to have her expertise as a national performing artist and choreographer on the board. Her insight and perspective will help us continue our extraordinary work to support and inspire artists to become leaders, entrepreneurs and innovators of the 21st-century creative economy.”
Laura Gutierrez is a performing artist and choreographer based between Houston and New York City. A graduate of the High School for the Performing and Visual Arts, she received a BFA in Contemporary Dance from the University of North Carolina School of the Arts, where she was awarded a William R. Kenan, Jr. Performing Arts Fellowship at Lincoln Center Education.
Gutierrez has performed at the American Dance Institute, Biennale de la Danse de Lyon, BAM Next Wave Festival, Soluna Festival, CounterCurrent Festival, Brisbane Festival and in museums such as The Menil Collection, Contemporary Arts Museum Houston, the Fabric Workshop Museum, DiverseWorks, SCAD Museum of Art and The Guggenheim. Her choreography has been seen at Lincoln Center’s Clark Studio Theatre, Evelyn Rubenstein Jewish Community Center, Triskelion Arts, Nicole Longnecker Gallery, Sicardi Gallery, The Rec Room and MATCH Houston. She has been performing in works by Jonah Bokaer since 2012, and in 2014 was named one of Dance Magazine’s “25 to Watch.”
Gutierrez repertoire includes a series of solo works and concert dance works as well as choreographic projects that challenge audiences’ theater experiences in non-traditional performance venues, such as museums and galleries. She plays with movement themes inspired by postmodern dance, classical ballet and the visual arts.
June 15, 2021