
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
As a soloist for American Ballet Theatre, Blaine Hoven has performed on stages across the country and around the world. Before joining ABT in 2003, he was a student in the School of Dance’s High School Ballet program.
He joined the ABT Studio Company following his junior year of high school and moved to the main company a year later. In 2016, he was promoted to soloist. Dance plays a major part in Hoven’s life outside of ABT as well. He performs in the summer with the Cirio Collective, a group of dancers, choreographers and artists that explore and collaborate on new and innovative works.
He also maintains connections with his hometown of Mobile, Alabama, and Mobile Ballet, where he began his training. Last fall, he presented his own show in Mobile—"Blaine Hoven Full Circle.”
Hoven recently took time out of his busy schedule to reflect on his experience at UNCSA and some of the challenges he’s faced as a professional ballet dancer:
I chose UNCSA because of the wide range of ballet techniques that were taught. There were teachers from American Ballet Theatre, New York City Ballet and from major Russian companies as well. Throughout my career, the varied techniques I learned at UNCSA, including modern dance, have been very beneficial to me.
In a ballet company, you have to constantly adapt to different movement styles and techniques. This adaptivity has helped when ballets made by new choreographers enter the repertory.

Hoven (background, in blue) returned to UNCSA in 2016 with fellow ABT dancers in support of the Gillian Murphy Endowed Scholarship. While on campus, the dancers led classes with UNCSA students.
The lawn outside of the high school dorms. There was nothing better than lying out there on a nice spring day. Ok, maybe there were two things that were better: the biscuits and hash browns at the cafeteria for breakfast. They were worth waking up early for!
Performing Aminta in Sir Frederick Ashton’s “Sylvia” is a major career highlight for me. It was my first principal in a ballet and after that season, I was promoted to soloist. Another highlight was having the opportunity to work with choreographer Wayne McGregor this past spring and summer.
Throughout your dance career, you face many obstacles. I had an ankle repair surgery about five years ago, and at first it seemed like something I wasn’t ready for. I decided to approach it with a different attitude. I didn’t think about how much time I would be out of work or how much it would set me back.
You can turn injuries into something positive. I embraced it and did things I wouldn’t normally be able to do, like visiting home frequently and spending time with friends who had normal working schedules. It worked in my favor and I was only out for six months.
The connections and friends you make at UNCSA last a lifetime. When you meet people who went to UNCSA, you have an instant connection. All you have to say is, “Fighting Pickles!”

Hoven performs "On The Water" with UNCSA alumna Gillian Murphy at the BGC Arts Center in the Philippines.
Always remember to work hard and have fun with your art. Sometimes it’s really easy to get overwhelmed by how harsh and demanding the arts world can be. I constantly remind myself that I do this for me and because I love it. Don’t sweat the small stuff and enjoy every minute.
September 03, 2020