
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Professorships in the School of Design & Production play a pivotal role in helping faculty push the boundaries of their crafts and prepare students for emerging industries.
For Eric Hart, whose work spans performance innovation and animatronics, endowed support has helped establish and legitimize a one-of-a-kind graduate program: a master’s degree in Animatronics. Hart is the Malcolm & Patty Brown Distinguished Professor in the Institute for Performance Innovation.
“The title helps give it a sense of legitimacy,” he said. “It signals that this isn’t experimental in a temporary sense, but something real and worth investing in.” Funds have supported student travel to major industry conferences and provided opportunities to connect directly with professionals in themed entertainment industries.
“My students are able to invent the future right in front of my eyes,” he said.

Eric Hart, center, working with Animatronics students, Spring 2026
The work sits at a crossroads between art and engineering — a reminder that artistic education is increasingly also about technological fluency and interdisciplinary creation.
Elsewhere in the School of Design & Production, Costume Technology professor Brent Bruin is using his endowed professorship funds to acquire industrial sewing equipment, specialty machines, fabrics, and graduate student support. Bruin holds the Malcolm and Patty Brown Distinguished Costume Program Professorship.
“With the endowed professorship, we can provide stipends to four graduate students per year,” said Bruin. “This assistance allows graduate students greater flexibility to pursue outside employment while they focus on their studies.”

Brent Bruin, the Malcolm and Patty Brown Distinguished Costume Program Professor
These investments directly shape what students learn: not only conceptual design, but the technical precision required in professional production environments.
Through the Brown professorships, donors are helping UNCSA students build futures in fields where imagination meets engineering — where the next generation of performance technology and costume craft is being invented.
July 15, 2026