
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Hear the piano in conversation across time as Joshua Rupley returns to UNCSA for a residency and solo recital, tracing an arc through the piano's evolution. The program envelops the lyrical depth and clarity of Franz Schubert, the sweeping emotional intensity and structural weight of Johannes Brahms and the contemporary voice of Andrew Hirschfeld. Together, these composers guide audiences from romantic depth to modern exploration, revealing how the piano transforms through eras. Rupley is an award-winning performer and educator. A prizewinner of the Jackie McGehee Young Artists Competition and the Olga Kern International Piano Competition, he appears regularly in recital and is a dedicated advocate for contemporary music and new works. He currently teaches at the Leopold Mozart College of Music at the University of Augsburg.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

Engage your imagination and enjoy a bold exploration of sound and identity as faculty artist Ksenija Komljenović presents a solo recital of newly created works. New works by European composers Bartek Miler, Ana Krstajić and Miloš Branisavljević highlight rhythmic precision, tonal color and expressive range. Rooted in Komljenović's heritage, the music draws on a wide spectrum of influences -- folk traditions, blues, jazz, film scoring, and video games -- blending them into a contemporary musical language shaped by agility and invention.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
The Center for Creative Economy has announced the winners of the 2016 Creative Startups Accelerator in Winston-Salem, a six-week course that culminated last week with a weeklong “Deep Dive.”
The winners had strong connections to the Kenan Institute for the Arts, UNC School of the Arts, and Winston-Salem.
The overall winner of the Accelerator was Embodied Labs, a virtual reality company that builds custom immersive, interactive, health education curricula to help healthcare providers better care for and understand the perspective of vulnerable patient populations. Ryan Lebar (Drama '16) is the Creative Director for the company.
The local media company The Feeling Friends, which produces plush toys, books, and content to guide parents, caregivers, educators, and clinicians on teaching children how to identify, express and manage their feelings, won second place.
The Muddy Creek Café and Music Hall, a local venue owned by Bill Heath and Shana Whitehead, a member of the Kenan Institute’s Arts Enterprise Lab, was awarded third place.
The Kenan Institute for the Arts was a lead sponsor of the Accelerator, and Executive Director Corey Madden served as a mentor for the program. The week featured workshops and one-on-one coaching with mentors and investors, and the companies pitched their products to more than 250 people at Demo Night, a community wide event at Biotech Place on Sept. 28.
The finalists will receive seed stage funding from the Center for Creative Economy totaling $50,000.
October 7, 2016