
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts. The event centers on the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, which was created in collaboration with Mimi Yin and NUUM Collective.

Step into a luminous soundscape as soprano Alisa Jordheim (Gilda in "Rigoletto," Soeur Constance in "Dialogues des Carmélites," Violetta in "La Traviata") brings the dramatic beauty of the Nordic landscape to life through music. Featuring works by Edvard Grieg, Eyvind Alnæs, Agathe Backer Grøndahl, Hugo Alfvén, Jean Sibelius, Lars-Erik Larsson, Albert Schnelzer and Carl Nielsen, the program draws on a rich tradition of song shaped by mountains, fjords, forests and shifting light. Performed in Norwegian, Swedish, Danish and Finnish, these works reflect a deep connection to nature, from quiet introspection to moments of striking intensity. With clarity, warmth and expressive depth, Jordheim invites audiences into a world where the natural and musical realms are inseparable. Alisa Jordheim performs at UNCSA as part of a year-long operatic celebration of the 25th anniversary of the A.J. Fletcher Opera Institute.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.

The Piano Department at the UNCSA School of Music opens its fourth season of Piano Fridays with Peruvian-born artist Priscilla Navarro. Navarro's career has included performances at Carnegie Hall and the Kennedy Center, and her playing has been featured on BBC Radio and Medici TV. Her UNCSA program features works by Bach, Schumann, Rachmaninoff, Albéniz and Gershwin.
The winning idea started with Carrie Shaw, a pair of goggles and a desire to help a loved one with serious health problems.
“In caring for my mom, who had early onset Alzheimers, I always felt if I could understand her perspective and experience better, I could be a better caregiver,” says Shaw, a Winston-Salem native and founder of Embodied Labs, a virtual reality startup that creates immersive, interactive curricula to help healthcare providers better care for and understand the perspective of their patients.
Shaw’s mother also struggled with a disability that blocked her left field of vision in both eyes. “We had to protect her left side and put everything on her right side so she could see it,” recalls Shaw, a graduate of UNC-Chapel Hill who went on to earn a master’s degree in biomedical visualization from the University of Illinois at Chicago.
“To help her other caregivers, I made these goggles that had the left side blocked off. It was a quick way to show them something that was a little complicated to explain with words so they could understand her visual disability quickly.”
Embodied Labs recently took the top prize — $25,000 in venture funding designed to help creative entrepreneurs develop their business models — at Creative Startups’ new Southeastern Accelerator program in Winston-Salem. Ten teams, chosen from a field of more than 100 applicants, competed for a total of $50,000 in seed funding.
After completing a six-week online course using Stanford University’s interactive entrepreneurship curriculum, the teams gathered for a weeklong “Deep Dive” at Wake Forest Innovation Quarter in late September. The program, spearheaded by the Center for Creative Economy (CCE), was sponsored by the Thomas S. Kenan Institute for the Arts and the Arts Council of Winston-Salem and Forsyth County, among others.
Highlights of the week included one-on-one mentoring sessions with an impressive array of creative leaders who helped the teams move their business concepts beyond the launch stage, as well as Demo Night, a community-wide event at Biotech Place during which the teams pitched their products to more than 250 business leaders, potential investors and other guests.
The winning team has strong ties to the University of North Carolina School of the Arts. Erin Washington, who attended UNCSA’s high school program in music, co-founded Embodied Labs with sister Carrie; Ryan Lebar, a 2016 graduate of UNCSA’s School of Drama, is creative director of the company.