
An acclaimed film exploring AI and society that premiered at Sundance in 2026, the AI Doc is presented in partnership with a/perture cinema. There will be a discussion following the screening featuring film editor Davis Coombe, UNCSA Chancellor Brian Cole, and Arts and Emerging Technology Residency Project Director Koven J. Smith.

Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts. The event centers on the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, which was created in collaboration with Mimi Yin and NUUM Collective.

Step into a luminous soundscape as soprano Alisa Jordheim (Gilda in "Rigoletto," Soeur Constance in "Dialogues des Carmélites," Violetta in "La Traviata") brings the dramatic beauty of the Nordic landscape to life through music. Featuring works by Edvard Grieg, Eyvind Alnæs, Agathe Backer Grøndahl, Hugo Alfvén, Jean Sibelius, Lars-Erik Larsson, Albert Schnelzer and Carl Nielsen, the program draws on a rich tradition of song shaped by mountains, fjords, forests and shifting light. Performed in Norwegian, Swedish, Danish and Finnish, these works reflect a deep connection to nature, from quiet introspection to moments of striking intensity. With clarity, warmth and expressive depth, Jordheim invites audiences into a world where the natural and musical realms are inseparable. Alisa Jordheim performs at UNCSA as part of a year-long operatic celebration of the 25th anniversary of the A.J. Fletcher Opera Institute.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.

The Piano Department at the UNCSA School of Music opens its fourth season of Piano Fridays with Peruvian-born artist Priscilla Navarro. Navarro's career has included performances at Carnegie Hall and the Kennedy Center, and her playing has been featured on BBC Radio and Medici TV. Her UNCSA program features works by Bach, Schumann, Rachmaninoff, Albéniz and Gershwin.
The Thomas S. Kenan Institute for the Arts and Office of Career Development and Community Engagement at the UNC School of the Arts are pleased to announce the recipients of the inaugural Kenan Portable Internships.
The new program—part of the Career Pathways initiative—allows rising seniors, current graduate students and recent alumni to design a creative, six- to ten-week-long summer internship with arts organizations or professionals. The 2017 recipients of Portable Internships are:
Yasha Borodetsky, a native of Riga, Latvia, who is pursuing a Professional Artist Certificate at UNCSA, will complete an artistic residency and internship with the United Solo Theatre Festival—the world's largest solo theatre festival—in Williamstown, Mass., for six weeks this summer.
During his residency, Borodetsky will create a solo show for the United Solo 2018 season under the guidance of Omar Sangare, the creator and artistic director of the festival, and learn the organizational and legal procedures that arise in the development and fulfillment of the show under Marcin Lipinski, the general director of United Solo. He will also conduct interviews with the artists of the 2017 United Solo festival to get their perspective on their work; gain ideas, inspiration, feedback, and advice; learn about their works in progress; and expand his artistic horizons.
Borodetsky hopes that by expanding the reach of his musical abilities through collaboration with other art forms, he will be able to create a piece of great depth and meaning that resonates with the hearts and minds of the audience and delivers a message in a profound and moving way. He will bring the show to UNCSA in Spring 2018 as part of his final project for his Professional Artist Certificate.
Garrett Parker, a senior from Chapel Hill studying Contemporary Dance, will spend ten weeks this summer working with Seattle-based choreographer Elia Mrak and Sidra Bell Dance New York.
Parker will spend the first five weeks of his internship training, creating, and collaborating with Elia Mrak's team to help create a new work for his residency at New Jersey Dance Theatre. Parker will spend the next five weeks working for Sidra Bell—the artistic director of Sidra Bell Dance New York who is rapidly gaining an international profile for her work—as she teaches the "Movement Invention Project" at her summer intensive "Module" and starts rehearsing for her next world premiere.
Parker says the internship will provide him valuable exposure to the professional dance scene of New York City and allow him to make important connections with dancers, teachers, and choreographers along the way. He will gain first-hand knowledge of what it takes to run a non-profit dance company in the City, as well as experience on the arts administration side of dance organizations.
Nicholas Rich, a resident of Greensboro who received a master's degree in composition from UNCSA in 2014, is partnering with the contemporary folk band Stray Local in Wilmington, North Carolina.
Over the course of the summer, Rich will create a substantial composition approximately 20 minutes in length that will take the shape of a single-movement song cycle, but inhabit the sound world of American Folk, Old Time, and Bluegrass music. The experience will culminate in a professional recording with selected portions on video.
Rich says the internship will be a truly hybrid and collective endeavor, combining his knowledge as a composer and technique as a performer with the abilities of the members of Stray Local. Raised in a family of musicians immersed in the sounds of American folk and popular music, Rich has always had an interest in folk and popular musical styles and his specialty as a performer is Bluegrass guitar. This internship, however, will be the first opportunity he has had to fully invest himself as a performer and listener of folk music in any of his compositions.
June 15, 2023