
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Greensboro, North Carolina is more than 8,000 miles from Liuzhou, China. But when Justin Poindexter (HS ’01, BM ‘06) has a guitar in his hands, the two worlds are only a song away.
In 2014, Poindexter and his band, The Amigos (now Silver City Bound), were selected by the U.S. State Department to participate in the American Music Abroad program, a diplomatic mission that’s been sending American artists overseas since the days of Duke Ellington and Benny Goodman. Poindexter and his bandmates — who play everything from bluegrass to folk to New Orleans zydeco — played 200 shows across 6 countries and 20 states as goodwill cultural ambassadors.
In every far-flung city they visited, Poindexter and The Amigos worked with local guides and translators to find the best musicians and invite them to play together. In Myanmar, villagers arrived with Burmese harps, a traditional stringed instrument. In Cambodia, The Amigos collaborated with classically trained musicians. But one of the most surreal and remarkable moments of the tour came on the streets of Liuzhou, a Chinese city of three million people on the banks of the Liu River.
“A group of ethnic Chinese students approached us,” says Poindexter, “and they didn’t speak Cantonese or Mandarin, so our translator was useless. But they could say one thing in English, ‘Country Roads.’”
The Amigos launched into the John Denver classic about the singer’s roots in the Blue Ridge Mountains, and the smiling Chinese students — a choir, it turns out, dressed in traditional garb — joined in the chorus. You have to see the video to believe it.