
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
When Bill Ellis (B.F.A. Design & Production ’85) graduated from what was then the lighting and audio program, he pictured a career touring the country with live shows or working at a major theater. However, after more than a decade working in the entertainment industry, he was ready for a more predictable schedule while still pursuing his passion. Ellis co-founded Candela Controls, Inc., a company specializing in lighting system integration and control, where he has been able to apply his training to a range of projects, from theme parks to museums and more.
Today, Ellis uses core teachings from his time at UNCSA while working on projects he never imagined: the Abraham Lincoln Presidential Museum; the Space Shuttle Atlantis; and the Hard Rock Hotel and Casino in Atlantic City. His company is currently working on a multiyear renovation of the renowned Smithsonian National Air and Space Museum in Washington, D.C., helping reimagine all the museum’s exhibitions featuring iconic artifacts from throughout aviation history, like the 1903 Wright Flyer and Apollo 11 Command Module Columbia.
It is the largest contract we have ever undertaken. We are touching every square inch of the museum, because the building hasn’t undergone a renovation of this scale since it was built in 1976. Additionally, we’re working around priceless artifacts that haven’t been touched in decades. This poses logistical complications, so all teams involved must take extra care and planning with every step. As of now, the museum is slated to be completed in 2024.

Ellis' company, Candela Controls Inc. engineered, installed and programmed the lighting controls system for the Sunshine Skyway bridge in Tampa, FL. / Photo courtesy of Candela Controls, Inc.
Since the founding of Candela, our services have become increasingly in demand because of the evolution of available technology. In the beginning, we did a lot of work in the entertainment industry, but when LED lights came on the market it opened a lot of opportunities for how lighting can become an architectural element. While the Smithsonian is definitely unique because of the scale, another notable project is the Sunshine Skyway bridge in Florida (near the company’s home base). The Skyway project blended the need for safety — the pillars needed to be clearly visible at night — and the local government’s wish for something that is aesthetically pleasing.
I think it’s important for students considering what they want to do after graduation to understand all the options available to them outside of the entertainment industry. I like explaining that while we work with companies like Walt Disney World, we also get to work on bridges, museums, airports, casinos and other places they may never have considered. I currently have four Pickles working for me, and I can guarantee that coming from UNCSA they will have a good work ethic, discipline and a solid foundation of skills — which are attributes every employer seeks.
As told to Melissa Upton-Julio
This article appeared in the 2022 issue of Scene.
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February 25, 2026