
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.

An intimate opportunity to hear a distinctive instrument at the hands of a world-renowned musician and cultural historian, Iain Quinn gives a recital on UNCSA's Fisk, Op. 75 pipe organ. Set within the power and subtlety of the organ, the program explores a full range of emotion -- from quiet, sustained tones to emboldened sound -- highlighting the instrument as much as the performer. Quinn is an award-winning organist, composer and scholar whose work spans performance, composition and musicological research across Europe and the United States. He is professor of organ and coordinator of sacred music at Florida State University, research fellow in the arts and humanities and director of the annual Festival of the Creative Arts in the Office of the Vice President for Research. Quinn is also an Honorary Research Fellow of the Royal Academy of Music.

Spend the evening celebrating 25 years of the A.J. Fletcher Opera Institute as Fletcher Fellows bring the drama, humor and intensity of opera to life through a series of captivating scenes from the repertoire. From an intimate theater setting, encounter emerging artists preparing for careers on the world's greatest opera stages. Fletcher Fellows are under the direction of Music Director James Allbritten and Artistic Director Steven LaCosse.

Philadelphia Orchestra double bassist Christian Gray became a sought-after double bass soloist following his 2nd Place and "Audience Favorite" awards in the Sphinx Competition in 2021.  Fresh from recitals in Texas and the Peabody Conservatory, he will present a wide-ranging program featuring Frank Proto's jazz-influenced Sonata 1963, Lawrence Brown's Spirituals, Vivaldi's Sonata No. 6 (originally for cello), and Bottesini's, Nel Cor Piu Non Mi Sento Variations. He is sure to delight the audience, because he is returning home to Winston-Salem and to UNCSA where he is a proud graduate (2010) of its high school program.  
This fall, the Thomas S. Kenan Institute for the Arts at University of North Carolina School of the Arts (UNCSA) invites artists and creative leaders across the country to register for Artivate 360, a peer-to-peer interview and webinar series that highlights UNCSA alumni who have built successful businesses with a wide-ranging impact through educational and advocacy campaigns on issues including food and wellness, body positivity, environmental conservation, and climate change. Artivate 360 is free to attend but registration for each session is required.
This two-part series will feature four programs organized around two themes, Practicing Self-Care (October 18 and 19) and Artists + Activism (November 15 and 16). Each theme will feature a peer-to-peer interview between UNCSA alumni that reflects on the evolution of their careers, followed by a webinar that will illustrate how artists can implement lessons they learned the previous day. Attendance at both sessions is not required.
“The Artivate 360 panelists are examples of artists who have not only excelled in their artistry but who have also built extraordinary ventures, beyond their conservatory training, in service of others,” said Kenan Institute Executive Director Kevin Bitterman. “The career path of each of our guests illustrates the ways in which artists can integrate their creative skills and training over the course of their careers to inspire change.”

Artivate 360 panelists, clockwise from top left: Jenny Best, Jessamyn Stanley, Rebekah Rotstein, Tim Guinee and Thomas Rowell.
Arts training and expectations of excellence can take a toll on the physical and mental health of many artists. “Practicing Self-Care” highlights the journeys of three artists and social entrepreneurs who have built successful businesses dedicated to promoting the health and well-being of their communities.
On October 18 at 1 p.m., UNCSA High School Dance alumnae Jenny Best and Rebekah Rostein will discuss how their wellness journeys took them from artists to thriving entrepreneurs. On October 19, internationally acclaimed yoga instructor Jessamyn Stanley will lead a guided meditation and chair stretching session.
“Artists + Activism” brings together two UNCSA alumni who have built award-winning careers in film to discuss how their artistry has intersected with environmental activism. Attendees will learn how these creatives use their craft to amplify the causes in which they believe.
On November 15 at 1 p.m., Tim Guinee and Thomas Rowell will reflect on how their careers have intersected with environmental activism, and how to use your craft to amplify causes in which you believe. On November 16 at 1 p.m., Tim Guinee will continue the conversation, teaching artists how they can speak with authority about the climate crisis and advocate for change.
September 10, 2021