
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
When alumna Dwana Smallwood, acclaimed dancer, teacher and arts advocate, visited campus during spring semester, she commanded the undivided attention of a full house in Agnes de Mille theatre as she spoke about her journey as an artist and innovator.
1. Feeling young.
Forget the alumni and guest artists who lament how many years have passed since their
UNCSA graduation. School of Dance alumna Dwana Smallwood says that returning to campus makes her feel young. And her
vibrant energy and obvious tenacity is electrifying. What is one of her fondest memories
from UNCSA? Her mother surprised her by traveling to attend her senior project, which
was created about her and dedicated to her.
2. Making it happen.
When sharing the journey to her audition for the summer program at Alvin Ailey American
Dance Theatre (she wore a leotard borrowed from the UNCSA Dance Costume Shop), Smallwood advised students to create their own personal story and then find a company
that aligns with it. She scored a spot in the summer program and later spent more
than ten years as a principal dancer with Alvin Ailey.

Dwana Smallwood, center, performing with Alvin Ailey American Dance Theatre. Photo: AAADT
3. If not this, something better.
At the height of her dance fame, Smallwood left the stage behind. In 2009 she embarked
on a new adventure on a new continent, creating a dance program at the Oprah Winfrey
Leadership Academy for Girls. She stayed for four years, eventually becoming Director
of Student Affairs.
In 2013 she returned to her hometown of Brooklyn, New York, with a new dream: opening a performing arts center in the Bedford-Stuyvesant neighborhood. The Dwana Smallwood Performing Arts Center opened in 2015 with a mission to use the arts, primarily dance, as a means to empower youth within New York’s inner city communities.
4. Still writing her story.
As Smallwood reflected on the challenges and successes of her career, she shared four
truths that continue to guide her many pursuits:
July 12, 2016