
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
The 2021-22 performance season featured rich programming and a variety of guest artists, presenting compelling stories that broaden our view of the world. The arts schools showcased works by underrepresented voices, invited a variety of guest artists to our stages, and told compelling stories that help broaden our view of the world.
Below are a few highlights from last performance season.
Visiting artist Christopher Burris directed Stew’s rock musical “Passing Strange,” one of the few major American musicals written by an African American. “At UNCSA, we have such a diverse student body, and we are committed to finding stories that reflect the lived experience of those students,” said Scott Zigler, dean of the School of Drama.

Spring 2022 Drama production of "Passing Strange." / Photo: Wayne Reich
Dance alumnus Ashley Lindsey (College Arts Diploma ’07) choreographed “Somewhere In a Dream I Got Lost” for the contemporary-focused Fall Dance, exploring the freedom and possibilities that come from dreaming.

Fall Dance 2021 piece "Somewhere In a Dream I Got Lost" choreographed by alumnus Ashley Lindsey. / Photo: Peter Mueller
Fourth-year student film “Sammy, Without Strings” explores the delicate and impactful story of Sammy, a Black puppet who desires freedom from performing for oppressive audiences.
Watch co-writer and director Ralph Parker III share his experience crafting the story.

Behind the scenes of fourth-year film "Sammy, Without Strings." / Photo: Kat Reeves
Artist-in-Residence Thomas Wilkins, principal conductor of the Hollywood Bowl Orchestra, conducted the UNCSA Symphony Orchestra as it returned after a yearlong absence due to COVID-19 in Gustav Mahler’s massive and triumphant Symphony No. 5.

Thomas Wilkins conducted the UNCSA Symphony Orchestra in Gustav Mahler’s Symphony No. 5. / Photo: James Farley
Christopher Chen’s “Passage” was added to the performance season when Asian American and Pacific Islander (AAPI) students requested the creation of a production fully utilizing and orchestrated by the school’s AAPI student population. The show was helmed by Thai American guest director Nana Dakin.

Spring 2022 Drama performance of "Passage." / Photo: Kendall Best
This article appeared in the 2022 issue of Scene.
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February 25, 2026