
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Author: Elena Rang
Half way through the school year, a new student came to our Pre-K classroom, where I teach twice a week with the Vivaldi Team. While our other students were already playing different rhythms and starting songs on the violin, I took the new student for a private violin lesson to introduce her to the instrument.
First, I let her touch the tiny 1/16 size violin, pluck the strings to let her have an idea of the sounds the instrument made. After that, I showed her how to hold the instrument herself. "Step 1: scratch your shoulder. Step 2: The violin flies in. Step 3: hold it on the body." The violin fell naturally into place and so I introduced to her the basic technique of plucking the strings, called pizzicato. She put her thumb to the corner of the fingerboard and with her index finger, she plucked the strings. Then she asked me if she could sing her own song. I told her she could and I was amazed at what happened next. With her freshly learned pizzicato technique, she accompanied herself singing, "I love my mommy, I love my mo-mmy." It was really adorable to see and listen to. This image has stuck with me and I catch myself smiling every time I think of it.
This is one of my major goals with the Vivaldi Project: I want to give the kids not only the ability to play an instrument, but also to give them a voice, another language with which to express themselves. This student gave the violin a very personal meaning immediately, and this means the world to me!
August 13, 2020