
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Author: Kayla Cieslak
When you accomplish something difficult for the first time, that feeling of excitement and disbelief can sometimes be so overwhelming that you just can't contain those feelings! That's how one of my students at Wiley Middle School reacted when she was finally able to play a B flat major scale all the way through without stopping. She jumped up and down and kept saying "I did it! I did it without having to look at my fingers!" As a teacher, this is something that has always brought me joy. To see your students accomplish something that they thought was so difficult and then they do it without having any complications is so rewarding.
Let me give you a back story about the student...
This student is in 7th grade and is partially deaf. She has a cochlear implant and has a sign language interpreter come to her classes to help her understand what her teachers are saying. This is the first student that I have ever taught who has been partially deaf and she can play the flute very well! I can tell that she is excited about the flute because she barely looks at the assistant signing what I am saying. Instead, she's looking directly at me and watches my mouth to really pay attention. That was also the first time I realized that I could explain concepts well enough. The only thing I did differently with her is that I talked a little slower, that way she could watch my lips.
When she started to play, I noticed that she already had the basis of great tone. Most of the fuzziness that she was getting was due to the head joint of the instrument being turned in a little too much. This made sense to me because I turn my head joint in when I feel like my ears are plugged from being congested. When the head joint is turned in, the whole flute vibrates a little differently and the sound is coming more towards you instead of out in front of you, making it easier for you to hear the sound although it is not as full as it could be. In response, I adjusted her head joint out just a little more, which always feels weird at first for the flutist, but once she played a note, she could hear the difference because she had the biggest smile on her face after playing a beautiful B flat! As we continued throughout the lesson, these small but important milestones kept happening and I could tell her passion for flute was continuing to grow. When we got to the end of the lesson, she wanted to try and play the whole B flat major scale. With only a little help from me keeping the beat, she was able to go up the scale with no problem. As soon as she was done, she jumped up and down and said "I did it! I did it without having to look at my fingers!" This was a rewarding moment for me.
What I have learned from teaching just this one student is that if someone is very passionate about something, they will find ways to make it work for them, even if it may be more difficult than normal. What this student doesn't know, is that she inspired me and made me realize how much music can truly mean to someone. Since I work hard at music-making every day, I sometimes take for granted how amazing music really is. I will take this lesson of gratitude with me throughout my life as a performer and teacher.
May 31, 2023