Tell us about any current and/or upcoming projects you’re working on:
Creatively, as of summer 2023, Alex and I have several cool projects in development.
Our next feature film is slated to start production in the winter. Our one-woman show
has just attached a producer, director, and casting director. Additionally, "Summoning
Sylvia" will have its streaming premiere on a major platform this October (to be announced
soon).
As an actor, you can catch me this fall, recurring in the new season of Hulu’s "Only
Murders in the Building" or in person at Goodspeed, playing ‘Doubting Thomas’ in a
new musical called "The Twelve" which is "a universal story of love and how each of us must eventually navigate the loss of
whatever we hold most dear" directed by John Doyle.
What was your experience coming into a show like “Only Murders in the Building” as
a new cast member after it has already had two seasons?
While I actually hadn’t been watching the series until I got the offer, I then binged
the first two seasons and I found myself extremely aligned with the show’s tone and
sensibility. The audition sides felt like I wrote them, and my audition for the team
was thrillingly fun. This is uncommon in my experience, so I wasn’t very nervous.
I was just excited and ready to enter this new world.
What was your inspiration for the story “Summoning Sylvia”?
The pandemic gave Alex and me the time and focus to meet virtually daily and write.
We churned out a couple of full-length scripts before "Summoning Sylvia," but we were
trying to finance them by attaching name talent, which can take a long time, and we
are impatient. We had been watching a lot of horror and disaster-type movies during
the pandemic. We started asking ourselves questions like, "While we wait for these
other projects to see the light of day, why don’t we do something low budget and under
the radar similar to 'Indoor Boys?' What would our characters look like in a horror
movie?"
How do you apply what you learned at UNCSA in your career?
The technical skills are in the daily toolbox: phonetics when learning a new dialect,
voice and speech warm-ups, combat/singing/movement/alexander technique. But also,
there's that way of working that I would never have had pre-B.F.A. The only way I
know how to open up a script and dive in, or start preparing for a role at all, is
from what I learned at school.
The only way I know how to open up a script and dive in, or start preparing for a
role at all, is from what I learned at school.
Wesley Taylor
Why did you choose UNCSA?
I knew of the school's reputation. I went to a performing arts high school in Florida,
and we took a college tour visiting places like NCSA, Juilliard, NYU, etc. When we
toured the campus, I just fell in love. I knew I needed a conservatory-style program,
but I couldn't attend school in NYC, Chicago, or even LA... I know myself. I would've
gotten distracted or auditioned for things and probably would have needed more time
to finish the four years. In the middle of the woods felt like a good place to stay
focused.
What advice would you like to share with current or prospective students?
Sometimes it's hard to see the forest through the trees, to trust and have patience.
I've always been result-oriented and ambitious, so this was a hard one for me. Sometimes
the training can feel infuriating, and the ego required to be a confident actor who's
comfortable in their own skin also makes it hard to stay vulnerable and receptive
to criticism at all times. But challenge yourself to soak it all up as much as you
can.
What have been your career's highlights or most significant moments so far?
Significant moments from my acting career so far include the opening night of my Broadway
debut, “Rock of Ages,” performing at the 2009 Tony Awards and shooting my first episode
on "Smash." The recent addition of working with Martin Short, Steve Martin and Meryl
Streep on "Only Murders in the Building" has also been significant.
A few of my writing career highlights would be the New York Times piece about my web series “It Could be Worse” getting acquired by Hulu, getting my first short play published and pacing in the back of a theater where
Stockard Channing and Nathan Lane performed my short plays in front of a sold-out
audience. Additionally, having my first feature film as a writer/director be at 100%
on Rotten Tomatoes three months after release.
Did you have an influential faculty or staff mentor at UNCSA?
Gerald Freedman's impact on me was profound. I wouldn't even know where to begin with
what I gained from Bob Francesconi. I had some crazy breakthroughs in Mary Irwin's
Shakespeare class. Matt Bulluck and Tanya Belov were monumental.
Taylor (second from left) as a member of the Jets in the 2007 UNCSA production of
"West Side Story," directed by Drama Dean Emeritus Gerald Freedman.
by Melissa Upton-Julio
Originally published July 16, 2020
Updated June 21, 2023
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