
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Hear the piano in conversation across time as Joshua Rupley returns to UNCSA for a residency and solo recital, tracing an arc through the piano's evolution. The program envelops the lyrical depth and clarity of Franz Schubert, the sweeping emotional intensity and structural weight of Johannes Brahms and the contemporary voice of Andrew Hirschfeld. Together, these composers guide audiences from romantic depth to modern exploration, revealing how the piano transforms through eras. Rupley is an award-winning performer and educator. A prizewinner of the Jackie McGehee Young Artists Competition and the Olga Kern International Piano Competition, he appears regularly in recital and is a dedicated advocate for contemporary music and new works. He currently teaches at the Leopold Mozart College of Music at the University of Augsburg.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

Engage your imagination and enjoy a bold exploration of sound and identity as faculty artist Ksenija Komljenović presents a solo recital of newly created works. New works by European composers Bartek Miler, Ana Krstajić and Miloš Branisavljević highlight rhythmic precision, tonal color and expressive range. Rooted in Komljenović's heritage, the music draws on a wide spectrum of influences -- folk traditions, blues, jazz, film scoring, and video games -- blending them into a contemporary musical language shaped by agility and invention.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
School of Flimmaking faculty member Wade Wilson considers it part of his job to help the next generation of artists at UNCSA realize their dreams. So does the staff of the Thomas S. Kenan Institute for the Arts.
As part of this vision, the Kenan Institute recently awarded Wilson a Faculty Leadership Grant to bring music industry legend Colin Wolfe to UNCSA as a guest artist in residence May 1-5. Wilson invited students across all disciplines to participate in master classes with the renowned music producer, composer and bassist on topics such as music production and technology.
The Kenan Institute grant covered travel expenses for Wolfe, who lives and works in LA. In turn, the musician volunteered his time with students and at a free community performance at the Stevens Center that was live-streamed across the world by UNC-TV.
It's the community that got me to where I am today, so why not give back to the community? If I didn't have the support from them in the first place, I wouldn't be here.
Colin Wolfe
“It’s the community that got me to where I am today, so why not give back to the community?” Wolfe said during an interview on the UNCSA campus. “If I didn’t have the support from them in the first place, I wouldn’t be here.”
No doubt it helped that Wilson had an inside connection to Wolfe. The two men go way back — all the way to Paul Revere Middle School in Pacific Palisades, California, where music became their lifelong bond.
“We would jam together,” Wolfe recalled with a smile.
Both men grew up to become artist leaders, albeit by taking vastly different paths. Wolfe made music with the likes of Michael Jackson, Madonna, Aretha Franklin and George Clinton. He is perhaps best known for writing the music for Dr. Dre’s iconic hip-hop debut album “The Chronic.” (A man of many talents, he also played guitar, bass, keyboards and percussion on the album.)
Wilson, a drummer, traveled with a band for several years after college before deciding that life on the road didn’t suit him. He became a successful sound designer, starting out in television as sound effects editor for “The Simpsons” and then moving on to work in films ranging from “Elf” and “Shrek” to “The Perfect Storm” and the original “Hunger Games.” Along the way, he won six Golden Reel Awards from Motion Picture Sound Editors.
Wilson left LA in 2008, in part for the job at UNCSA and in part because he felt Winston-Salem would be a great place to raise a family.
“It has evolved into one of the most wonderful experiences of my life,” said Wilson, now the film school’s Assistant Dean and Chair of the Editing and Sound Design Department. “It is so satisfying and it feels so good to share, to open doors, to inform and to mentor these kids here.”
These days, both artists find themselves at a place in their lives where giving back feels important.
We just want to help the next generation. ... We are in the position now and have the wisdom now to maybe make a difference in these kids' lives.
Wade Wilson
“We just want to help the next generation.” Wilson explained. “Because we’ve both been so fortunate and the universe has shined upon us with these wonderful careers, we are in the position now and have the wisdom now to maybe make a difference in these kids’ lives.”
Wilson said he applied for one of the Kenan Institute’s Faculty Leadership Grants because he wanted to expose students on campus, especially those studying music, to windows of opportunity they may not have considered yet, such as composing for television or video games.
“To be exposed to new technology in music production, to how Colin builds a track and designs a song, is invaluable,” he said. “Colin has had a wide range of success with a lot of different artists, and I want these kids to have the tools in their toolbox to design their own careers. The more you have in your toolbox when you hit the outside world, the better the opportunities will be for you.”
Wilson’s sentiments were echoed by UNCSA School of Music Dean Brian Cole: “The world of music is so very big, and the only limits are those that we impose on it. The future of the music industry requires us all to consider many new forms of music-making in the digital age.”
The music industry has changed dramatically since Wolfe got his start in the late 1980s.
“It used to be about finding that one new artist, that one raw talent,” Wolfe said. “With the big labels, you were discovered — they found you singing in the church or singing on the corner — and they took the time to actually develop you. Nowadays, the industry is just like a big, money-making machine. They don’t care about the next new artist. They just care about making money off the next new artist.”
Young artists today must develop themselves — find their own voices, grow their own fan bases via the Internet and create their own paths to success, he said.
Achieving success requires passion, integrity and patience.
Don't compromise your integrity and your goals. Don't try to be someone else. All you have to do is keep doing your thing and you will get discovered if your stuff is good.
Colin Wolfe
“Don’t compromise your integrity and your goals. Don’t try to be like somebody else,” he advised. “All you have to do is keep doing your thing and you will get discovered if your stuff is good. Someone will discover you and share you with 10 friends. And those 10 friends will share you with their 10 friends. That is how it works.”
In partnership with UNCSA, Wolfe also traveled to Durham May 18-21 as a headline guest artist at Moogfest, a music, art and technology festival in Durham that is a tribute to Dr. Robert Moog and the profound influence of his inventions on music.
Wolfe’s visit to North Carolina would not have been possible without the Faculty Leadership Grant from the Kenan Institute, Wilson said.
“We just don’t have the money in the regular budget to do this kind of stuff. An opportunity like the Kenan grant allows me to dream about bringing these things to the school and to the community of North Carolina,” he said. “It also creates that opportunity for us to take our name and our brand out on the road and to hopefully recruit talented students from across the state to our program.”
May 17, 2017