
The School of Filmmaking's "Symposium" series opens a door into the world behind the screen, offering audiences a chance to engage with filmmakers, artists and creative thinkers from myriad disciplines who are shaping contemporary storytelling. Through screenings, conversations and engaging dialogue, each event becomes a unique space to come together and explore how art is made, why it matters and what it reveals about the world we live in.

Experience a powerful arc of contrast and transformation as Sergei Prokofiev's music moves concertgoers from shadow into light. Faculty members Ida Bieler, violin; Dmitri Vorobiev, piano; and Tadeu Coelho, flute, trace a compelling emotional journey through two of the famed composer's most expressive chamber works. The program features the Violin Sonata in F minor, Op. 80, and the Flute Sonata in D major, Op. 94. Opening in the shadowed, unsettled world of the Violin Sonata, tension and fragility intertwine in music Prokofiev described as "wind over the graves." The Flute Sonata offers a striking contrast: bright, transparent and serene. Together, the works reveal a composer navigating war, fear and upheaval while still reaching toward beauty and light. The result is a deeply human portrait of resilience expressed through sound.

Discover the dazzling power of the viola in a program that reveals the instrument's full range: restless, lyrical, bold and radiant. New faculty artist Brett Deubner leads an evening that moves from high-contrast modernism to intimate chamber dialogue, including a special commissioned work. The viola shifts constantly -- exposed and unaccompanied, in close conversation with its musical counterparts and expanded by unexpected color and texture. The result is a portrait of an instrument that embraces many identities. Joined by faculty members Ida Bieler, violin; Allison Gagnon, piano; and Ksenija Komljenović, chimes, Deubner highlights both the viola's tradition and its evolving voice on the contemporary stage.

The Piano Department at the UNCSA School of Music opens its fourth season of Piano Fridays with Peruvian-born artist Priscilla Navarro. Navarro's career has included performances at Carnegie Hall and the Kennedy Center, and her playing has been featured on BBC Radio and Medici TV. Her UNCSA program features works by Bach, Schumann, Rachmaninoff, Albéniz and Gershwin.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.
Along with a new year (and in response to the previous one), comes a new iteration of the Thomas S. Kenan Institute for the Arts' podcast, "Art Restart" (formerly "Artist As Leader"). This season will shift the podcast's focus in response to the world-altering events of 2020 and their impact on the arts industry — and the way its leaders have adapted and envision adaptations to those changes.
The first episode of "Art Restart," an interview with theatre director Seema Sueko, will be available to stream on your favorite podcast platform on Monday, January 11, with new episodes available every other Monday. To kick off the new podcast, a live virtual salon, "Hindsight 2020," is scheduled for Thursday, January 14.
"In 'Art Restart,' we’re turning our attention to how the seismic events of the 2020—from the pandemic to the overdue reckoning on race and equity—have laid bare extant systemic problems in all the arts," says podcast producer and co-host Pier Carlo Talenti. "And we’re encouraging radical reinvention."
Talenti and co-host Rob Kramer are asking "Art Restart" artist-leader guests to harness their imagination and ingenuity to shred the status quo and dream up a new way of bringing their art to viewers and audiences. At the heart of these interviews will be two questions: “What did 2020 make clear most needs to be reinvented in your field?” and “Would you please envision a reinvention?”
Asking their subjects to consider innovation within the arts world is not entirely a departure from the first season of the "Artist As Leader" podcast. With guests like playwright Larissa FastHorse, artist Yazmany Arboleda, musician Rhiannon Giddens and choreographer Jonah Bokaer, the intersection of radical creativity and leadership has always been at the forefront of the podcast.
"One thing that has been evident from the outset of the Kenan Institute podcast series is the resilience and creative problem-solving with which artist-leaders approach their roles, both within their local communities and the world at large," says Kenan Institute Interim Executive Director Lynda Summerlin Lotich. "Art Restart feels like a timely and fitting response to the events of the past year and the challenges these artists are facing every day."
The "Art Restart" podcast will kick off with "Hindsight 2020," a virtual salon, with guests Yazmany Arboleda, Murielle Elizéon and Tommy Noonan, Tito Muñoz and April Parker. These artist-leaders will join Sueko as moderator for a discussion of what needs to be reinvented in their artistic fields and how they would go about reinventing it.
"Hindsight 2020" will be held virtually Thursday, January 14 at 7:30 p.m. EST and is free to the public. Registration is required.
The entire "Artist As Leader" podcast series is available to listen to any time on your favorite platforms, including Apple Podcasts, Google Podcasts, Spotify, Stitcher, TuneIn, iHeart Radio and Pandora.
Or visit the Kenan Institute's "Artist As Leader" page to listen to full episodes, view podcast transcripts and artist bios, and read earlier conversations in the series.
New episodes of "Art Restart" will be available on the podcast platforms listed above as they're published, with full episodes, transcripts and bios also available on the "Art Restart" page.
As the year and the "Art Restart" podcast unfold, Talenti is hopeful for the outcome of these new and frank discussions. "This past traumatizing year should not be merely a hiatus from business as usual; it presents an opportunity for rebirth," Talenti says. "Our hope is that by the end of 2021, we will have gathered a galvanizing to-do list for artists of all stripes to lead their respective fields in completely new directions."
August 05, 2024