
An acclaimed film exploring AI and society that premiered at Sundance in 2026, the AI Doc is presented in partnership with a/perture cinema. There will be a discussion following the screening featuring film editor Davis Coombe, UNCSA Chancellor Brian Cole, and Arts and Emerging Technology Residency Project Director Koven J. Smith.

Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts. The event centers on the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, which was created in collaboration with Mimi Yin and NUUM Collective.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.
As a practicing artist interested in integrating technology into her own performance art, a Fellowship at the Media and Emerging Technology Lab (METL) at UNCSA has served Karine Fleurima well. She joined METL in August for a Creative Catalyst Fellowship in Community Engagement, helping the Lab with everything from social media communications to event planning.
With METL's focus on exploring modes of interactive storytelling like virtual and augmented reality (VR and AR), Fleurima, a multidisciplinary artist whose work is based in Afro-futurist feminist concepts, was able to embrace the duties of the fellowship and learn more about how those technologies could be incorporated into her existing practice.

Fleurima at the premiere event for two METL projects, "Black Ice" and "System: The Contribution," at SECCA in Winston-Salem. / Photo: André Peele
For METL, partnering with the Thomas S. Kenan Institute for the Arts to offer the fellowship was crucial to the Lab's efforts to expand its reach. "Having Karine join us as the Fellow in Community Engagement allowed us to develop our social media platforms and create in-person community events," says Stacy Payne, METL's Director of Strategic Initiatives. "Karine brought her own vision and skills to these areas, which helped us launch important connecting points with our community."
One such project that Fleurima was involved in was METL's 2021 Immersive Storytelling Residency. The residency brought together techinical artists, game developers and filmmakers for the development of two VR projects, "Black Ice" and "System: The Contribution." "Black Ice" will make its world premiere at the South by Southwest (SXSW) Film Festival in March, with Fleurima in tow — she was able to utilize her fellowship funds to attend the festival and assist with the presentation of the VR experience.
That kind of work fulfilled by the fellowship, Payne says, met a great need and priority at METL. "The Kenan Institute has created a program that is tailored to meet the specific needs of each partner organization — and the interests of each Fellow — which is rare to find," she says. "We’re grateful to have been a part of it."
Below, Fleurima reflects on her Fellowship experiences and how her work in communicating about and interacting with VR and AR has enhanced her own storytelling:
The Kenan Institute's programs have really helped me to clarify my career goals. This clarity included the realization of the expansion of my creative practice to include emerging technology. My interest in VR has grown throughout the pandemic so this seemed like the perfect opportunity to gain some knowledge of the production of VR experiences.
I had never put on a VR set before this fellowship and now I’m excited about the possibility of creating my own immersive experience.
Karine Fleurima
It’s been an amazing opportunity to network and meet other creatives as well as organizations that are passionate about the intersection of art and technology. I had never put on a VR set before this fellowship and now I’m excited about the possibility of creating my own immersive experience.
During the Immersive Storytelling Residency, I had the pleasure of engaging with some of the artists while capturing some behind-the-scenes footage of their process. Assisting with the coordination of METL’s VR presentation for the IdeasCity festival in downtown Winston-Salem was definitely a highlight as well.
Finally, I organized the culminating presentation for the 2021 Immersive Storytelling Residency at SECCA [the Southeastern Center for Contemporary Art in Winston-Salem]. It’s been exciting to engage with so many different communities during this fellowship.
The biggest challenge has been the pandemic and maintaining COVID protocols for the in-person events that I coordinated. Luckily, safety and communication throughout the pre-production process was implemented in order to ensure successful execution.
Learning more about virtual reality has also been inspiring for my creative practice.
My creative practice is based in creating immersive Afrofuturistic performance art experiences. During the pandemic, I shifted to creating virtual sound healing sessions as my focus is expanding to include VR. Currently, the deepening of my meditation and yoga practice is inspiring me.
February 08, 2022