
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Some college students spend their summer days at the pool, scooping ice cream at a local shop, binging on Netflix shows or waiting tables. Our college students spend their summer days fervently preparing to perform alongside renowned artists at Spoleto Festival USA—a 17-day long performing arts festival held in Charleston, South Carolina.
Rising third-year contemporary dance student LaVance Cuiellette was selected for the opportunity to perform at Spoleto this summer along with 11 other students from the School of Dance. Here’s what he learned from his experience dancing in the lowcountry:
I was in an opera called “Eugene Onegin.” We had to stay healthy, stay focused and stay alert for any kind of last-minute change in choreography or production. I danced in every act of the opera and in most of the scenes.
Editor’s Note: “Eugene Onegin” was the opening showpiece of the 2017 festival.

UNCSA students danced in "Eugene Onegin." / Photo: Leigh Webber Photography
I’m often given nicknames—either for someone not being able to pronounce my name or for me doing something that’s funny or catchy. The costume director for “Eugene Onegin” nicknamed me “pretzel boy” because I was caught eating delicious pretzels as I was in my costume. (I was not supposed to eat in my costume!)
Yes! One person that impacted my entire experience was Ms. Ruthy. She did an incredible job choreographing and setting everything up for the dancers. She was professional, nice and beautiful. And she’s my idol because she was the stunt double for Halle Berry in one of my favorite childhood movies, “Catwoman.”

Cuiellette and Ms. Ruthy before a performance.
I constantly reminded myself that this is a job that I am being paid for and when money is involved, you ought to know that it’s not good to waste other people’s time.
I also had to be ready to see new faces and shake hands, because as an introvert I know how anxious I can get when I meet new people.
I learned that there is always room to grow as a dancer and as a professional. I need to work on communicating more with the people that I work with.
Delightful.
February 25, 2026