
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
The ninth annual North Carolina High School Organ Festival and Competition takes place Friday, Jan. 31, through Sunday, Feb. 2, utilizing the superb instruments of Augsburg Lutheran Church, Salem College and UNCSA.
Competitors are expected from Texas, New York, Maryland, Virginia, Tennessee and North Carolina, according to festival director Timothy Olsen, UNCSA School of Music’s Kenan Professor of Organ and associate professor of organ at Salem College. Olsen said the competition highlights Winston-Salem’s rich history and abundant resources of pipe organs and organ music.

Timothy Olsen is the Kenan Professor of Organ at UNCSA.
Prizes for the competition include the Thomas S. Kenan III First Prize of $2,000 or one year of in-state tuition to UNCSA; a second prize of $1,000, sponsored by the Piedmont Chapter of the American Guild of Organists; third prize of $500; and the John and Margaret Mueller Hymn Prize of $350.
Events that are open to the public at no charge include:
Student recital by UNCSA and Salem College organ studio at 7:30 p.m. on Friday, Jan. 31 in Crawford Hall on the UNCSA Campus at 1533 South Main St. The students will perform on the University’s C.B. Fisk, Op. 75 organ.
Competition performances from 10:30 a.m. to 12:30 p.m. and 2:30 to 4:30 p.m. on Saturday, Feb. 1 at Augsburg Lutheran Church, 845 W. 5th St., utilizing the 1968 Casavant with further modifications by Létourneau in 1997.
Winners recital at 5 p.m. on Saturday at Augsburg.
Competitors will be treated to a dinner and recital by Olsen and Barbara Lister-Sink, Salem College keyboard faculty member, on Salem College’s 1965/2013 Flentrop organ; workshops on injury-preventive keyboard technique by Lister-Sink and Alexander Technique by certified instructor Susan Perkins; and private lessons and a master class with Olsen.
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February 25, 2026