
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
UNCSA has announced its 2023-24 performance season for the School of Drama.
The School of Drama continues its emphasis on representing a variety of playwriting voices and delving into topics that resonate today with a season that includes Lucy Prebble’s “Enron,” about one of the most notorious scandals in corporate history and the greed that precipitated it; Robert O’Hara’s “Barbeque,” a comedy in which five siblings in a dysfunctional family lure one of their own to a fake barbecue in order to stage an intervention; Octavio Solis’ “Lydia,” about an illegal immigrant, maid and caretaker who provides the key to unlocking shattering family secrets in 1970s El Paso; and alum Lo Feliciani Ojeda’s “a grief song: telegony & odisea,” about imagined events after “The Odyssey” ends. Rounding out the Drama season are Shakespeare’s “Twelfth Night, or What You Will” and a musical adaptation of “As You Like It” by American singer/songwriter Shaina Taub.
I’m sure there will be some surprises next season as we continue our journey to create an evolved learning environment and actors who are prepared for the today’s world.
Scott Zigler, Dean of Drama
“The School of Drama — and UNCSA as a whole — holds equity as a core value,” said Dean Scott Zigler. “It not only informs our selection of season offerings, but helps our students feel more represented in the work we present. I’m sure there will be some surprises next season as we continue our journey to create an evolved learning environment and actors who are prepared for the today’s world.”
Tickets and information are available at uncsa.edu/performances.
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February 25, 2026