
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
At UNCSA, preserving the art of film projection is part of the craft of filmmaking itself. The School of Filmmaking houses the Moving Pictures Archive — the fifth-largest film archive in the country by volume — and through a unique student work-study program, film students have the rare opportunity to learn the hands-on work of caring for physical film.
From inspecting reels to threading projectors, the process is meticulous and labor-intensive, but it’s also an essential skill that connects today’s filmmakers with the history and material reality of the medium. Each weekend, the archives host free screenings for the campus community, giving students the chance to experience cinema the way it was meant to be seen.
As digital projection has become the industry norm, opportunities to train on physical film have become increasingly rare — making UNCSA one of the few places in the country where students can still learn the craft. That training has real-world impact: several alumni have gone on to secure projectionist work after graduation, particularly when directors like Christopher Nolan release films on 70mm and theaters need skilled operators who understand the format.
Catch a glimpse of what it’s like to be a student film projectionist through the experience of third-year filmmaking student Owen Ray as he preps a weekend screening.