
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Composer Kyrie Antoinette has a lot on her plate
these days. Besides balancing a full-time course load and rigorous work schedule,
she’s preparing a new composition for UNCSA’s annual Collage Concert, scheduled for November 18.
The Collage Concert gives audiences a quick dash through everything the School of Music has to offer, from virtuosic solos to enormous ensembles, with a special emphasis on collaboration with the other arts schools. “The piece is called L’éclat,” she says. “Literally, that means ‘sparkle’ or ‘burst.’ I wanted the music to convey a burst of energy.”
Looming in the near future is Kyrie’s senior recital, an ambitious undertaking that will include lighting design, choreography and film. The number of logistics involved will keep her very busy between now and the performance, which is scheduled for February 20.
Meanwhile, Kyrie is also planning life after UNCSA. She wants to pursue graduate studies in Europe, eventually incorporating her compositional skills into a career in arts production. But she knows there are a lot of hurdles to overcome in the meantime – including deadlines and performances pretty much every week for the rest of the year!
To view a score of Kyrie's orchestra piece, Vortica, click on the image below:
September 28, 2020