
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.

Whether it’s traditional art song, avant-garde electronics, folk music or punk rock, Ash Paris-Carter is a composer-performer who slides easily among genres, finding what they call the "wildly energetic, angry, flirtatious, overjoyed and animated" spirit that unites them.
Trained as a pianist and vocalist at Mannes Pre-College, Ash became entranced by composition at an early age. In the fifth grade, they joined the Manhattan Girls’ Chorus, then spent a summer at the Walden School learning about John Cage, inside-the-piano music and improvisation. "Since then," Ash says, "composition has brought me so much life and joy and connected me to so many amazing people." They are now a high school senior at UNCSA where they study with Lawrence Dillon.
Ash’s music is performative, outrageous, memorable, and political. They have written for "Après moi," ICE, The Walden School Players, PUBLIQuartet, yMusic, the Reynolda Quartet and many other individuals at UNCSA and Walden. Ash has also participated in Curtis Summerfest and Berklee Summer Songwriting Sessions.
"Currently, I'm trying to figure out where I fit in the composer-performer model," Ash says. "If I can sing, improvise, and tell a good story, especially while I'm collaborating with others, then I can find that flow and that happy place."
To see a sample of Ash’s music, click on the following image:
To hear their music visit the SoundCloud page:
March 17, 2021