
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Three alumni – including one who currently serves on the faculty – are nominated for Tony Awards for their work on some of Broadway’s most popular shows during a season cut short by the COVID-19 pandemic.
The nominees are Lindsay Jones (Drama ’92, current adjunct faculty), Mary-Louise Parker (Drama ’86) and Riccardo Hernández, who studied in the scenic design graduate program in the School of Design & Production (D&P). Two additional alumni worked on shows that are nominated for best musical.
UNCSA has ties to the four most nominated productions: “Jagged Little Pill,” with 15; “Moulin Rouge!” with 14; “Slave Play,” with 12; and “Tina: The Tina Turner Musical,” with 12.
Jones, who currently teaches sound design in D&P, received two nominations: best original score and best sound design for “Slave Play.” He is the faculty adviser for the sound design of UNCSA’s upcoming radio play of Shakespeare’s “Henry V.”
A celebrated composer and sound designer for theater, film and television, Jones is the recipient of two Ovation Awards for his work in Los Angeles theater, seven Joseph Jefferson Awards for work in Chicago theater, and two awards from the American Society of Composers, Authors and Producers (ASCAP). His film compositions have been heard at festivals around the world, including Cannes, South By Southwest and Slamdance, and his work for television has aired on HBO, Bravo, Sundance Channel, IFC, Telemundo and PBS.
At this moment Broadway may be dark longer than it ever has, but I’m praying it’s just waiting for us and I have my own ghost light on and burning bright until those stage doors open again. I’m longing for my theatre family but grateful we have today to connect and that I can celebrate my Sound Inside collaborators as well. Thank you for your faith in us. I can speak for the entire theatre community when I say we cannot wait to tread the boards again.
Mary-Louise Parker, Playbill, Oct. 15, 2020
Parker is nominated as best actress for “The Sound Inside,” which received six nominations. She won a Tony in 2001 for best actress in “Proof,” both the Emmy and Golden Globe in 2004 as best supporting actress in the miniseries “Angels in America,” and the Golden Globe in 2007 as best actress in “Weeds.” She was nominated for Emmy Awards for “The West Wing” and “The Robber Bride” and has been nominated many times for additional Golden Globe, Drama Desk, Outer Critics Circle, Screen Actors Guild, Satellite, and People’s Choice awards.
She was set to appear this year in the Broadway production of “How I Learned to Drive” in a role she originated off-Broadway in 1997. The play is expected to open in 2021, when Broadway resumes productions.
Hernández is nominated for best scenic design for the musical “Jagged Little Pill.” He is the previous winner of a Drama Desk Award for set design and an Obie Award for sustained excellence of set design.
Alumni connections to best musical nominees include Paloma Garcia-Lee (H.S. Drama ’08), who performed in the ensemble for “Moulin Rouge!”; and Lisa Renkel (D&P ’15) who worked on the projections for “Tina: The Tina Turner Musical.”
The 74th annual Tony Awards ceremony will be held virtually at a date to be announced. It will honor a Broadway season that ended abruptly when theaters went dark on March 12 as COVID-19 began to spread rapidly in New York City. The Broadway League and American Theatre Wing, presenters of the Tony Awards, determined a Feb. 19 eligibility cut-off, leaving 18 total productions the running.
Get the best news, performance and alumni stories from UNCSA.
SUBSCRIBE TO OUR NEWSLETTERS
February 25, 2026