Building off the success of the film, Kozadayev developed more choreography for the
production’s return to the Stevens Center stage in December 2021. While some scenes
had to be cut back due to remaining COVID-19 restrictions for 2021, Kozadayev was
then able to expand the production in 2022 to include a brand new party scene and
a reimagined Mother Ginger role.
This year, Kozadayev's focus is preparing his dancers to perform at the Tanger Center
in Greensboro. "It has been exciting to prepare for 'Nutcracker' at the Tanger," says Kozadayev. "It feels like we are going on tour which is a new and exciting dynamic for the entire
team."
In this shift to performing at the Tanger Center, Kozadayev says he is most looking
forward to "connecting with a new — to us — audience and community and seeing all
the student learning outcomes from performing on a large stage in a state of the art
facility."
Kozadayev also shares that while he is keeping the choreography mainly unchanged from
2022, audiences can "look forward to seeing that casting and some characters in the
production are becoming less gender specific."
The source of creative inspiration for artists can vary greatly from person to person.
Kozadayev explains that while working on choreography for “The Nutcracker,” he consulted
images and videos from nature. “As I was creating the waltz of the flowers, I would
look at pictures of flowers and videos of petals falling and try to think of formations
and movements that make the most organic sense to those natural elements,” says Kozadayev.
It is a privilege [to choreograph "The Nutcracker"] because it’s such an iconic work
all over the world, as well as at UNCSA, and such an important work for our students
and community.
Ilya Kozadayev
He describes the role of choreographing such an iconic work that is steeped in tradition
as both a privilege and a challenge. “It is a privilege because it’s such an iconic
work all over the world, as well as at UNCSA, and such an important work for our students
and community,” he says. “It is also a challenge because of those same things... since
it’s such an iconic work, everyone comes into it with their own expectations.” he
explains
Kozadayev adds that an additional challenge he experiences as a choreographer is staying
true to the original work, storyline, and traditions of ballet while also staying
true to his vision. “To blend all of those aspects together is a great challenge,”
he adds.
Overall, Kozadayev wants to spread joy with his work. "I want the audience to feel joy, happiness and a festive spirit for the holiday season,
after seeing this ballet."
The family business
Growing up in Russia with parents who were both ballet dancers and teachers, Kozadayev
was inspired to begin dancing at a young age and received his early training at the
prestigious Vaganova Ballet Academy in St. Petersburg. “I always wanted to imitate
what my parents were doing on stage, since I was five or six years old — so it became
my natural progression into dance,” recalls Kozadayev.
After immigrating with his family to the United States, Kozadayev continued his training
at The School of American Ballet in New York City and with his parents at Academy
of Colorado Ballet. He then moved to Germany, where he received a degree from the
John Cranko Ballet Academy in Stuttgart.
Ilya Kozadayev teaches a Summer Dance Intensive character class. / Photo: Lauren Olinger
Upon returning to the U.S., Kozadayev worked and performed with several ballet companies
across the country including Boston Ballet, Pittsburgh Ballet Theater, Colorado Ballet,
Columbia Classical Ballet and Houston Ballet, where he was a soloist from 2003-13.
Toward the end of his professional dance career, Kozadayev started to move into the
worlds of teaching and creating original works, though he wasn’t sure at first what
his choreography would look like. “When I first started choreographing, I didn’t know
if I would be any good at it,” he says. "But my first piece was picked up by the director
of the company I was working for at the time, which was a huge opportunity for me.”
This confidence boost led him to pursue an M.F.A. in choreography from Jacksonville
University in Florida which he says opened the door to pursue a career in higher education.
Career turns and pivots
After a brief stint working at the University of Oklahoma, Kozadayev saw a job posting
for a ballet professor at UNCSA and knew he had to apply. “At every company I had
worked with throughout my career, there was at least one UNCSA dance graduate, if
not two or three,” he recalls, “so I knew the school had a reputation for training
great dancers and I wanted to be a part of that.”
Since joining the School of Dance faculty, Kozadayev has taught classes, coached numerous
students and choreographed original works that have premiered at UNCSA. He describes
his teaching style as ‘open-minded,’ explaining that, “especially when you are talking
about ballet which has so many rules, traditions and limitations, I think it’s important
to be open-minded as we’re moving forward in the art form.”
"Dream(s)pace...," choreographed by Ilya Kozadayev, premiered at Winter Dance 2019.
/ Photo: Rosalie O'Connor
Kozadayev says he doesn’t have a particular choreographic style and that it all depends
on “what I’m trying to say in each individual piece.” One of his original contemporary
ballet pieces, “Dream(s)pace…,” premiered at Winter Dance 2019 and was performed at
the Koch Theater, Lincoln Center in New York City, as part of the Youth America Grand
Prix 20th anniversary Gala.
In order to teach and create works that are impactful, Kozadayev believes it is important
to be clear with his students and dancers about what he’s trying to achieve choreographically
while also being transparent about the process in the studio: “I believe being as
open and transparent as possible leads to a really positive relationship with students
and dancers, and results in an enriching experience for everyone.”
by Melissa Upton-Julio
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Updated: November 10, 2023
Originally published: November 16, 2021
