
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
With over 30 School of Music performances this semester, it can be hard to decide which ones to attend. From operas to jazz ensembles, guest artists to symphonies, the School works hard to curate a season that will appeal to any music lover.
We caught up with a few faculty members to ask which performance(s) they are most looking forward to this upcoming semester. Here are the exciting experiences they selected — in chronological order.
Oboe faculty Jaren Atherholt looks forward to the Woodwind Celebration concert most. “I am excited to play with my colleagues and share so much great music with our UNCSA and Winston-Salem community,” adds Atherholt. This concert – which will feature Atherholt alongside faculty members Robert Young, Tadeu Coelho and Oskar Espina Ruiz and guest artist Jessica Kunttu – is also a welcome and celebration of the new bassoon faculty member Stephanie Patterson.

UNCSA Woodwind faculty members, from left to right: Robert Young, Jaren Atherholt, Oskar Espina Ruiz, Stephanie Patterson and Tadeu Coelho / Photo: Wayne Reich
Atherholt explains that the program is diverse and exciting, mainly featuring music by female composers, including “Sonata Terza, Op. 16 (1693)” by Isabella Leonarda, “Duo Sonata for two Bassoons” by Sofia Gubaidulina, “Trio Toccata” by Valerie Coleman and “Brokenvention Trio” by Alyssa Morris.
This March, the School of Music presents the spring edition of the UNCSA Chamber Music Festival with two concerts featuring faculty, students, alumni and guest artists. Horn faculty Maria Serkin, one of the featured faculty members, is especially excited about this event, where she will perform Beethoven Sextet in E-flat Major, Op. 81b on Tuesday, March 14.

Horn faculty Maria Serkin performing at the fall UNCSA Wind Ensemble concert featuring music by Omar Thomas. / Photo: Wayne Reich
“This is a faculty/student collaboration and my last opportunity to perform with my student Elijah Barclift,” explains Serkin. She adds that she hopes to play with Barclift again one day when “he returns to UNCSA for a guest recital as an esteemed alumnus.” Guest artists featured at the festival include violist Tatjana Masurenko, cellist Peter Wiley and alumnus composer Tyson Davis.
An exciting program showcasing the talented percussion students, this spring concert is bittersweet for department chair John Beck. “This will be my final performance as the director of the UNCSA Percussion Ensemble,” explains Beck.

Percussion student performing at the 2022 Jazz Ensemble concert featuring Jon Metzger. / Photo: Wayne Reich
“After 25 years of studio teaching, I am transitioning to a new role at UNCSA as the liaison and program coordinator in our new partnership with the Intergenerational Center for Arts and Wellness that is scheduled to open next Fall at Senior Services of Winston-Salem.”
Beck is especially excited about “Symphonie Fantastique” by Hector Berlioz which will “feature two timpanists and church bells in the last movement.”

Symphony Orchestra performance in October 2022 featuring conductor Robert Franz. / Photo: Wayne Reich
This Symphony Orchestra will be led by guest conductor and violinist Guillermo Figueroa and will also feature Ernesto Coredero’s Violin Concerto and Jennifer Higdon’s “Blue Cathedral.” Figueroa is a Grammy-award-winning artist who serves as the principal conductor of The Santa Fe Symphony Orchestra & Chorus, amongst other prestigious positions.
Purchase your tickets for these experiences and discover more performances — created and performed by talented students and world-class faculty, distinguished alumni and celebrated guest artists — by visiting the UNCSA Performance Calendar.
February 25, 2026