
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Tyson Morrow
Tyson Morrow has taught guitar extensively using methods from his education at the Boston’s famous Berklee College of Music, where he earned a B.A. in Composition in 1992. Prior teaching experience includes 11 years at the Meridian School of Music in Indianapolis, Indiana. Tyson’s performance credentials span a wide variety of styles including Top 40 Country, Pop, R&B, Progressive Folk/Bluegrass and performances with the Winston-Salem Symphony. He currently performs with several groups in the Piedmont area, and has used his composition background to pen guitar parts for the musicals “Eating Raoul” and Steven Soundheim’s “Assassins” with the Winston-Salem Theatre Alliance. Tyson’s teaching style balances music fundamentals with the interests of individual students to create a comprehensive and engaging lesson experience.