
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
As the new year kicks off, we’re looking ahead into trends in the film business in 2018. Dean of Filmmaking Susan Ruskin shared her vision for the evolution of film this year, and how UNCSA will continue to position itself on the cutting edge of the industry.
The rise of direct-to-consumer ecosystems like Amazon and Netflix will continue to impact filmmaking. As a result, UNCSA is teaching students how to work within these ecosystems or networks. “It’s no longer just about working with the six major studios—Netflix and Amazon are bigger than all of them now,” Ruskin says. This disruption in the traditional business model changes production, distribution, marketing and exhibition, all topics discussed daily at the film school.
Last year several industry leaders visited UNCSA to discuss the rapidly changing industry, including Ted Hope, Head of Motion Picture Production/Amazon Studios at Amazon, and Peter Block, former President of Acquisitions at Lionsgate.
“Our students need to learn how to work with these new ecosystems,” Ruskin says. “They need to learn not just how to turn the camera on and how to light, but also how to get their work to the market. And that market now is really worldwide. It’s much easier to get work out there, but there’s also much more content for consumers to choose from.”
Our students need to learn how to work with these new ecosystems. They need to learn not just how to turn the camera on and how to light, but also how to get their work to the market. And that market now is really worldwide. It’s much easier to get work out there, but there’s also much more content for consumers to choose from.
Susan Ruskin
As a result, data gathering and analytics will become increasingly important, and students are learning the value of data gathering and analysis so they are equipped to best function in business.
In 2018, virtual reality technologies will continue to evolve rapidly, Ruskin says.
“The advances that are happening are both advances in technology and storytelling,” she says. “Every three months, there’s an advance in technology, and every time the technology advances, the storytelling advances as well,” she says. “The key for UNCSA is to continue to get ahead of the rapid changes so our students are better equipped.”
Ruskin says that this year will bring a push beyond virtual reality into augmented reality, which has lagged behind virtual reality, but is quickly catching up. And the technologies behind virtual reality and augmented reality will permeate far beyond the film industry.
At UNCSA, this means students from many disciplines working together in the media and emerging technology lab, where, among other things, they will push the capabilities of VR and augmented reality further. For instance, this year UNCSA students will use motion capture and gaming platforms to create characters that are interactive in virtual reality.
The project, called “Big Rock Candy Mountain,” will put viewers into the experience of a child navigating a story, set to the classic folk song. Created by students in the Immersive Entertainment class, the result will be an interactive, pure 360 video.
Filmmakers will continue to be deeply involved with marketing and business development. From crowdfunding to developing social media strategies to connect with audiences, filmmakers will become more connected and involved with building buzz around their work. An important component of business development and marketing is the film festival.
“Film festivals are becoming more, not less, important to filmmakers,” Ruskin says.
Being selected for the right film festival for your film can build press and audience interest.
In 2018, UNCSA is again an official sponsor of Sundance Film Festival. With more than 30-40 UNCSA alumni connected to festival films, it’s important for the school to be actively involved and supportive of alumni.
This year, she will take several UNCSA students to the festival, including one who was involved in the production of alumnus Brett Haley’s film “Hearts Beat Loud” and will have the opportunity to work with him directly at the festival.
“They’ll have the experience of watching Brett from the inside as he meets with potential distributors. That’s an essential experience for students to have—not just participating in screenings but seeing real dealmaking,” she says.
2018 will bring more collaboration between artists and engineers, between data scientists and creatives. Smart businesses will build room for experimentation into their business models.
“I actually think that the creative process has become more essential,” Ruskin says. The School of Filmmaking will continue to create opportunities for collaboration for students across disciplines and even with other institutions.
A key takeaway in 2018: filmmaking will continue to go beyond the confines of traditional storytelling, and it will require talented individuals from many disciplines to propel the film industry.
February 25, 2026