
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
Alumni of the University of North Carolina School of the Arts have won Helen Hayes Awards for two productions in our nation’s capital. Named for the “first lady of American theater,” the Helen Hayes Awards are Washington, D.C.’s equivalent of Broadway’s Tony Awards.
“Still Life with Rocket,” conceived and directed by Mollye Maxner (high school Dance ’93 and Drama directing ’09) won Outstanding Production of a Play. The play also won Outstanding Choreography for Mollye Maxner and her husband, Kelly Maxner (Dance ’94 and Drama ’00).

"Still Life with Rocket" has won two Helen Hayes Awards.
“Still Life with Rocket” played last summer at Theater Alliance, where Colin Hovde (Drama ’04) is artistic director. It was nominated for eight Helen Hayes Awards.
The Maxners previously won a Helen Hayes Award for choreography in 2016 for “Occupied Territories,” which Mollye Maxner wrote and directed for Theater Alliance.
Christopher Annas-Lee (Design and Production ’14) won Outstanding Lighting Designer for the U.S. premiere of a Spanish language “In the Heights” by Lin-Manuel Miranda, with Gala Hispanic Theatre, where he is resident lighting designer. “In the Heights” was sold out in April and May 2017. It was one of two Gala Hispanic Theatre productions for which Annas-Lee was nominated – “Don Juan Tenorio,” which played in September and October 2017, was the second.

Christopher Annas-Lee has won his second Helen Hayes Award for Outstanding Lighting Design.
Annas-Lee previously won the Helen Hayes Award for Outstanding Lighting Design in 2016 for Gala’s “Yerma.” He was nominated last year for the Gala production of “Cervantes: El Ultimo Quijote (the Last Quixote).” In August, he received a prestigious Princess Grace Award for his work with Gala.
Gala Hispanic Theatre’s “In the Heights” was the most celebrated production, winning nine Helen Hayes Awards.
Alumni were involved with eight of the 20 productions that were recognized Monday evening, drawn from 202 eligible productions in 2017.
Among them, Mary-Mitchell Campbell (high school Music ’92) was musical director for Tina Fey’s “Mean Girls,” which won Outstanding Visiting Production at the National Theatre. Jessica Weeks (D&P ’10) was assistant audio engineer. Both are working on the Broadway production, which is nominated for 12 Tony Awards, including Best Musical.
February 25, 2026