
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
The costume design program in the School of Design and Production (D&P) at UNCSA is among the Top 10 of its kind in the U.S., according to The Hollywood Reporter, which published its annual list last week. The program has been in the Top 10 since the list began in 2018.
The UNCSA program was cited for its on-the-job, well-rounded training and diversity of classes offered and for its active alumni group that includes B.F.A. recipient and UNCSA Board of Trustees member Paul Tazewell, a 2022 Oscar nominee for best costume design for Steven Spielberg’s “West Side Story.”
The Hollywood Reporter (THR) consulted with educators and industry pros for its annual list of Top 10 best U.S. schools for costume design.
“The fact that UNCSA continues to be top-ranked in major trade publications is a testament to our outstanding faculty and their continuing attention to making our curriculum relevant to the arts and entertainment industry of today,” said Chancellor Brian Cole. “The article also highlights that our tuition is a significant value compared to similar programs.”
Costume Design and Technology Program co-Director Bill Brewer is quoted in the article describing the offerings in the program: “Our curriculum trains designers through structured theoretical coursework in a broad range of genres, including Shakespeare, opera and film and television.”
The article cites the program’s “diverse classes include digital costume rendering, portraiture, textiles, millinery and 3-D printing, essential skills vital in keeping up with an ever-changing film environment.”
Program alumna Michelle Pflug is highlighted in the article as another example of the program’s success. Pflug is the costume coordinator for the popular HBOMax series “The Gilded Age,” as well as the Oscar-nominated film “West Side Story.” She graduated with a B.F.A. in 2016.
Michael Kelley, dean of the School of Design and Production and himself an alumnus of the scene design program, said, “It is a real honor to be recognized by your peers in arts education and the industry. I am so very proud of our costume program and the incredible faculty members in all of D&P, who continue to make a pronounced difference in the lives of talented UNCSA students on their journey to become practicing professional artists.”
The article also features a photo of a character in the UNCSA Fletcher Opera Institute’s 2016 opera “The Italian Straw Hat” in a costume by Design and Production graduate Clare Parker.

Clare Parker's costume design for "The Italian Straw Hat." / Photo: Peter Mueller
D&P offers undergraduate and graduate degrees in 16 distinct theatrical design and production areas that include undergraduate costume design and technology (combined) and graduate costume design and costume technology.
In addition to Brewer – who has designed for theater, ballet, opera, film and television, both nationally and internationally – current costume design and technology faculty include Pam Knourek, co-director, who has more than 20 seasons with the Santa Fe Opera, seven years with The Guthrie Theater, and numerous film and television credits; alumnus Michael Sharpe, who has worked on Broadway productions such as “Into the Woods” and “Wicked,” on film productions such as “First Wives Club” and “Kate & Leopold, and on TV productions such as “Smash” and “Jessica Jones”; and alumna and Assistant Dean Kjersten Lester-Moratzka, who teaches costume technology and has experience as a principal draper for Santa Fe Opera and as a freelance draper for the Metropolitan Opera and Broadway productions.
Additional alumni of the costume program at UNCSA include Kristen Mendez, costume coordinator, “The Good Fight” (CBS); Bee Gable, costume illustrator for costume designer Toni-Leslie James, “Rustin” (Netflix); Christine Field, assistant costume designer for “West Side Story”; and Stef Maus, assistant designer, “Invasion” (Apple TV) and costume designer, “Madam Secretary” (CBS), among many others. Third-year graduate student Diana Haberstick (M.F.A. '22) is the costume designer for “Into the Wild Frontier” (INSP TV).
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February 25, 2026