
Hosted by the University of North Carolina School of the Arts and the Thomas S. Kenan Institute for the Arts, the residency centers on AI and the work of acclaimed choreographer and Martha Graham Dance Company member Xin Ying, in collaboration with Mimi Yin and NUUM Collective. The event will bring together artists, technologists, legal scholars and industry leaders to examine the ethical, legal, technical and creative implications of AI for the arts.

Kick off the UNCSA Symphony Orchestra season with a program of powerful storytelling and musical depth.

Step into a world where music sparks imagination and storytelling takes shape. The vibrant "Cuentista!" program invites audiences on a journey through colorful landscapes, inviting characters and unforgettable tales - brought to life by the UNCSA Wind Ensemble and Chamber Winds under the direction of Mark Norman.

The past and present collide as the School of Dance opens its performance season with a dynamic exploration of movement across generations. Contemporary dancers take center stage to perform works shaped by shared training, mentorship and creative exchange.

Amid the upheaval of civil war in Congo, Pulitzer Prize-winning "Ruined" follows the formidable Mama Nadi, whose bar becomes a haven for women marked by violence, loss and survival. She must skillfully navigate violent power struggles while protecting those who rely on her courage and cunning.

A night of spontaneity, groove and creative risk unfolds as the UNCSA Improvised Music and Jazz Studio presents a smooth showcase of sound. Student performers explore a wide range of jazz and improvised traditions, from structured charts to fully open-ended creation - highlighting individual voice, ensemble listening and real-time musical decision-making.
University of North Carolina School of the Arts has been named one of the world’s top training programs for “Hollywood production design.” The unranked, alphabetical list of 10 schools in the United States, England and France was published in the Oct. 3 issue of The Hollywood Reporter (THR).
Chancellor Lindsay Bierman said recognition by THR is valuable to the School of the Arts. “This is a platform that reaches our influencers, so their recognition is very valuable to us,” he said. “By increasing awareness of the excellence of our programs, we can reach a broader audience, attract prospective students who are the best fit for us, and recruit world-class faculty and guest artists.”
UNCSA School of Design and Production (D&P) Dean Michael Kelley, an alumnus of UNCSA’s scene design program and an Emmy Award-winning art director and set decorator, was quoted in the article.
“Our students are going directly into the top echelon of the major companies, such as Universal, Paramount and Disney,” he said. “But the world’s much bigger than film and television, and they must come out of school well-versed on multiple platforms and trades."

Alumnus Tony Fanning was art director for "The Polar Express."
He said graduates of D&P’s undergraduate and graduate programs have worked on major motion pictures and television shows for nearly every network and online platform.
Notable D&P alumni cited by The Hollywood Reporter include Tony Fanning (“Ocean’s Thirteen,” “The Polar Express”), Keith Neely (“Hawaii Five-O”) and Michael Ward (“Passengers.”)
THR noted that many aspiring production designers find their way to film and television via theater arts. "There is no difference in the training for motion pictures and for television as the tools, knowledge, talent and curiosity required are all the same, and the only thing that distinguishes the two from one another is time and money,” THR quoted “Longmire” production designer Thomas A. Walsh.

Students work in the Design and Production scene shop.
Kelley echoed that observation. “Most of the designers I know today came from a theater background, where the organizational aspect – such as timeline and budget – are key,” he said. “Theater people are natural storytellers. And they are classically trained in the arts.”
At UNCSA’s School of D&P, production design encompasses undergraduate programs in scene design, stage properties and scene painting, and graduate programs in scene design, stage properties and scenic art. UNCSA has the only stand-alone school of design and production in the country, and is the only program with a stage properties concentration.
THR noted that a B.A. or M.F.A. can offer a leg up to aspiring production designers, art directors or set decorators, and said that UNCSA’s D&P program offers classes in furniture history, construction and upholstery for those with a bent toward set décor.
In addition to those cited above, D&P alumni have worked as production designers on television series including “Better Call Saul,” “The New Normal,” “Drop Dead Diva,” and “The Real O’Neals” and for feature films including “Love Hurts,” “Very Bad Things,” and “Here on Earth.”
Art director credits for D&P alumni include television’s “Chicago Med,” “Parenthood,” “CSI: Crime Scene Investigation,” “The Walking Dead,” “The Vampire Diaries,” and “Heroes” and for “The 72nd Annual Tony Awards,” and feature films “Ocean’s Thirteen,” “War of the Worlds,” “Amistad,” “Extremely Loud and Incredibly Close,” “Mr. and Mrs. Smith,” “Panic Room,” “Doubt” and “Passengers.”

A student works in the School of Filmmaking's production design shop. / Photo: Jeremy Cowart
D&P has previously been recognized by THR and other publications. In February, THR included the costume design program among the nation’s 10 best, and in August the theater-focused OnStage blog ranked the school third in the country on its list of “The Top 25 Theatre Design and Tech Programs for 2018-19.”
UNCSA also offers a production design and visual effects concentration in its School of Filmmaking. The four-year, undergraduate program offers such classes as digital design for the art director, perspective drawing, color rendering techniques, and fundamentals of production design. Alumni of the UNCSA Filmmaking program include Nathan Krochmal, set/production designer for “Pitch Perfect 3,” “Guardians of the Galaxy Vol. 2,” and “Hidden Figures.”
February 25, 2026